Repost: Charles Gatewood Interview

 

.

Unfortunately, I never got a chance to meet Charles Gatewood in person. I was familiar with his subcultural work from his books, magazine assignments, and exhibitions. I admired his anthropologic curiosity and his  significant contributions to the medium of photography and its history. We got to know each other on social media and began corresponding via email until his untimely death on April 29, 2016,  a result of a fall from his third floor apartment in San Francisco. He left several suicide notes.  This is a repost of an interview I conducted with Mr. Gatewood in 2011. His legend continues to live on.

.

TW: What do you find most compelling about the medium of Photography?

.

CG: I’m a card-carrying voyeur, and my exotic subjects excite me. My camera is a passport to adventure and creative fun. I am my own boss. I have never had a “job.” I travel the world, do whatever I please, photograph famous people, and have kinky sex with beautiful punkettes. ‘Nuff said!

.

TW: You have covered a variety of  subject areas in your involvement in Photography.  Which of these subject areas to you find the most compelling and  worthy of further exploration?

.

CG: I’ve been photographing almost fifty years, and I’ve covered lots of subjects. Most of my work is about people and behavior, and I’ve spent many years documenting alternative culture in all its ragged glory. My extended photo essays include 60s counterculture, rock and roll (I shot for Rolling Stone and Crawdaddy), the radical sex community, and tattooing, piercing and body art (I helped launch the “new tribalism” movement by sparking the RE/Search book Modern Primitives). I also did lots of traditional photojournalism in the 60s and 70s.

One of my favorite extended photo essays is Wall Street, shot between 1972-1976. This work is more formal, and more about social conditioning, societal control, corporate excess, and fascist architecture. Which subjects do I find most compelling today? Barely-legal girls, ha ha.

TW: How do you think the medium of photography has impacted popular culture at large?

Are you serious?

CG: What was it like to encounter William  S. Burroughs as a subject in your work?

In January, 1972, Rolling Stone sent me and writer Bob Palmer to London to do a feature article on William Burroughs. Talk about a dream assignment. We spent a week with Burroughs, smoked hash, stared into the Dream Machine, played with the E-meter, and dug all Burroughs’ best rants and stories. Rolling Stone liked the story so much they asked me to be their New York photographer.

I shot Burroughs again in NYC, 1975, for Crawdaddy. He and musician Jimmy Page met for tea and chat before a Led Zeppelin concert. I got great shots from that shoot too.

TW: Are you equally compelled to photograph men and women.  If not,  which gender do you prefer to photograph and why?

CG: For most of my career, I’ve photographed everyone. Today, I mostly photograph gorgeous women. Wouldn’t you?

TW: How has photography broadened or defined your view of today’s world?

Like totally!

TW: If you could turn back the hands of time, would you have chosen another profession?

No, no, no. I do enjoy creative writing, but at heart I’m a picture guy.

TW: Describe the feeling of taking a great picture?  What happens at that moment?

CG: Well, for me the creative act is a wonderful high, especially if the subject is exotic or sexy. I go into what I call “magic space.” Psychologists call it “flow.” Athletes call it “being in the zone.” It’s an exhilarating feeling. Time stands still, there is total communion with the subject, and the creative process (right framing, angle, moment) is like a beautiful zen dance. I work it, work it, work it—and suddenly there it is, my shot!

TW: How do you define Photography as Art?

CG: Andy Warhol said, “Art is anything you can get away with.” I agree!

Picture of the Day: Ike’s Study

Photo: Tony Ward, Copyright 2020
 

Photography and Text by Tony Ward, Copyright 2020

Ike’s Study

.

I visited Ike Hay at his home on many occasions.  He was a great teacher of art and design at Millersville University where we first met when I was an undergraduate student from 1974 to 1977. I took several classes with him as he was a great teacher of art and design.  Ike’s first love was sculpture, but he had other interests as well.  Ike was a collector of Empire furniture and a significant amount of his scholarship was defined by his love for French culture, especially French antiquities and an emphasis on the history of Napoleon Bonaparte, the great French military leader and emperor of France. Ike’s study was a place where we often chatted about art and also life. He became a lifelong friend and confidant until his untimely passing in 2014 at the age of 69.  When I began the project of a book of Tableaux Vivants,  I selected Ike’s study as one of the nostalgic places I wanted to photograph because of my longstanding friendship with Ike and his family. So one summer day in 1994, I packed up my gear with models in tow and traveled from Philadelphia to Lancaster, Pennsylvania where he lived with his wife Teri and his daughters Miraya and Mistral. On this particular occasion I decided to shoot in black and white and in color, an unusual departure for me at the time. 

.

To see selected works from the book of Tableaux Vivants, click herehttps://tonyward.com/early-work/tableaux-vivants-1993-2000/

 

 

Studio News: A Return to Teaching

A Photography Critique at Haverford College. Photo: Dan Burns

Text by Tony Ward, Copyright 2020

After a two year hiatus from teaching, I have accepted an invitation as visiting instructor of Fine Arts at Haverford College. On December 17th, 2019 my first meeting with photography students took place at the Jane Lutnick Fine Arts Center. My colleague Professor William Williams asked me to join him for a final critique of student work performed during the fall semester. In preparation for lecturing at Haverford I am currently reading, Criticizing Photographs by Terry Barrett. I look forward to the opportunity of teaching a color course with these bright exceptional students at Haverford beginning this month.

.

About Tony Ward:

Tony Ward began his professional career in 1980 as a corporate photographer for the pharmaceutical giant, Smithkline Corporation.  After several years of working in the department of corporate communications for Smithkline, he opened the Tony Ward Studio in Philadelphia, to service a variety of Fortune 500 companies and smaller business entities.

His personal work and research during the past 25 years has been rooted in exploring the visual cross sections of fashion and erotic photography by capturing the impact the sexual revolution of the 1960’s had on advertising and in particular magazine publishing.  His first book of photography, Obsessions with forward by A.D. Coleman was his first attempt at challenging the lines drawn between Art and Obscenity by questioning social mores, existing laws, and the evolution of photographic imagery that is viewed as inappropriate in some cultures and acceptable in others. He is particularly interested in further examining the first amendment right to freedom of expression and the impact censorship has had on the evolution of photography’s history.

To access Tony Ward’s curriculum vitae, click here:https://tonyward.com/about/

 

Studio News: Recent Vintage Print Sales

Recent Sales: Tony Ward Archives

STUDIO NEWS:

A pair of limited edition vintage prints from the archives of Tony Ward have been purchased for $5500.00 by a wine connoisseur based in Geneva, Switzerland. Caress. New York, 1997, a vintage gelatin silver print in the size of 16 x 20 recently sold for $3000.00.  Surrogate. New York, 1997, was sold for $2500.00.

For information regarding print sales contact: tony@tonyward.com

Studio News: Bob Shell’s New Book!

 

NEW BOOK RELEASE!

Text by Bob Shell, Copyright 2019

.

COSMIC DANCE

.

Those of you who have enjoyed my rambling discourses here will probably like my new book, my first in twelve years. It’s titled COSMIC DANCE by Bob Sbell and is available from Amazon now. (ISBN: 9781799224747, $ 12.95 quality paperback; $ 5.95 EBook; 203 pages). You can get a feel for the book by reading the sample pages on Amazon.

This book is a collection of essays developed from notes written in a series of notebooks during the last twelve years while I’ve been a prisoner in Virginia. But this book is not about that story. While my body has been imprisoned, my mind has been free to wander and explore, and conduct the type of thought experiments, that Einstein favored so much.

The book is divided into four sections about things that deeply interest me:

I. Physics and Cosmology;

II. Biology and Evolution;

III. The UFO Phenomenon;

IV. Religion “Christianity”;

followed by some appendices.

The book is intended for the general reader interested in these subjects. I’ve avoided technical language and math as much as possible.

Each section steps off from established facts to explore my personal take on things. For example, did you know that you can never photograph the event happening now? To find out why, read page 73.

I’ve been an “armchair physicist” since the early 1970s when my old friend Robert Anton Wilson (see his bio on Wikipedia if you don’t know who he was) introduced me to that strange creature Schrodinger’s Cat, who is even more mysterious than the Cheshire Cat, being simultaneously both dead and alive until observed. The title COSMIC DANCE is a tip of the hat to Bob, whose most influential book is titled COSMIC TRIGGER.

Whether we like it or not, quantum physics is how the universe works. This little tablet I write on wouldn’t work in a strictly Newtonian universe. Neither would your TV, cellphone, computer, digital watch, and all the other electronic devices of modern life. Quantum physics does not follow human logic. Or maybe I should say that human logic does not follow quantum reality. Either way, there’s a mismatch between the two. For example, we humans tend to believe that the past is fixed and invariable, but it’s not. In our quantum universe neither past nor future is fixed, and much of the past has yet to be developed. Cause does not have to precede effect. The equations of quantum physics are time neutral; time may not even really exist.

In cosmology, the accepted theoretical model of the evolution of the universe tells us that galaxies should be evenly distributed throughout space, but in reality they aren’t, they’re in clumps, clusters, “walls,” so the theory must be wrong. That’s important, but cosmologists mostly ignore that fact.

In biology, even though I was originally a biologist myself, I’ve never been satisfied with Darwinian/neo-Darwinian evolution as an explanation of the biological diversity we see in the world. The theory simply doesn’t fit the facts. We need a new theory that does.

Back in the 1960s, when I was on staff at the Smithsonian Institution in Washington, it was pointed out to me that there was something wrong with dinosaur footprints. They’re simply not deep enough for the projected weight of the animals, and some animals that we’ve reconstructed as walking on four legs left only prints of their hind feet, their forelegs never touching the ground. On page 137 I dig into this mystery and propose a new theory to explain this odd fact.

On page 159 I delve into the UFO phenomenon. The fact, as the New York Times recently uncovered, is that the Pentagon knows that AAVs, Anomalous Aerial Vehicles, their term for UFOs, are real and has spent millions of taxpayer dollars studying them. UFOs are real, remember that. Some official documentations of what they call “incursions” have recently been declassified. Why the secrecy in the first place? Because the Pentagon doesn’t know what they are, where they come from, or why they’re here, buzzing our ships and planes. Simply put, if they were hostile, and some may well be, our military would be helpless to defend us from them. Government is all about control, and something they can’t control scares the bejaysus out of them.

In my section on religion, I tackle religion, specifically so-called “Christianity,” on the simple premise that it’s a political system, not a religion, and is terribly dangerous because of that. It seeks to control the bodies and minds of all, believer and nonbeliever alike, as the current brouhaha about abortion shows anyone with open eyes. Our nation’s founders wanted separation of church and state for damned good reasons, and laws based on religion violate that principle, and should not be on the books. The “Christian” Church held back scientific progress and intellectual freedom for centuries, brought us the Dark Ages, and continues to try to do so today. Today’s “Christianity” has little or nothing to do with the simple, peaceful, and beautiful teachings of Yeshua, the man the Romans called Jesus.

I didn’t write this book to have readers agree with me and accept my ideas. I wrote it to make readers think, often outside their everyday comfort zones.

Like Robert Anton Wilson, I seek to make people agnostic, not just agnostic about religion, but agnostic about everything.

I hope you’ll buy and read my book, agree or disagree.

.

About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence for involuntary manslaughter for the death of Marion Franklin, one of his former models. Shell was recently moved from Pocahontas State Correctional Center, Pocahontas, Virginia to River North Correctional Center 329 Dellbrook Lane Independence, VA 24348.  Mr. Shell continues to claim his innocence. He is serving the 11th year of his sentence. To read more letters from prison by Bob Shell, click here: http://tonywardstudio.com/blog/bob-shell-female-nudes/