Feature: Gina Iannece Meeting The Moment

Portrait of Gina Iannece wearing vintage armor. Photo Tony Ward Studio
Gina Iannece. Vixen.  Photo: Tony Ward, Copyright 2025

Text by Gina Ianneci, Copyright 2025

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Model: Gina Iannece

Photographer: Tony Ward

Creative Director: KVaughn

Hair & Makeup: Michael Connor

Lighting Grip: Anthony Colagreco

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Meeting The Moment. A Career in Fashion

In Tony Ward’s “Heroines and Vixens” photo series, I resonate with the duality of strength and allure that defines these women. As someone who has navigated the dynamic world of fashion, I try to embody the resilience and determination of a heroine, while also embracing the bold, confident spirit of a vixen. This series beautifully captures the multifaceted nature of women, reflecting both the power and grace that I strive to bring to my professional and personal life.

My fashion career started in wholesale operations and sales for Nomination Jewelry in the 2001 at the height of their composable charm bracelets popularity in North America.

Next, I had the pleasure of working for the iconic sisters Tish and Snooky, the creators and owners of alternate beauty brand Manic Panic NYC. While managing global sales for key accounts, I traveled to London and
Germany to represent the brand. I also personally negotiated a deal for placement in Sephora stores in the United States.

Because of my success at Manic, I was offered a new position, I went from Punk Rock to Polo. Shifting to a more corporate environment at Jones Apparel Group, working on sales for Oxen Workwear and as the assistant to the VP of Design for Polo Jeans Co, was licensed to Jones at the time. Polo Jeans Co was bought back by Ralph Lauren, and I stayed with the brand transitioning into merchandising. I helped create and launch the brand Denim and Supply by Ralph Lauen, managing men and women’s denim apparel and accessories.

The immense popularity of Denim and Supply led to the end of another Ralph Lauren brand Rugby which ended up leading to layoffs. I lost my job. This is the first time I was laid off and I was devastated. I had developed a love of denim while at Ralph. The different fabrications, weaving and wash techniques, I love all of that. So, I was targeting new roles in denim merchandising and this took me to Giorgio Armani.

I joined that A/X Armani Exchange during a new transformative period for the brand. At the time ,ownership was split between Giorgio Armani corporation and Presidio.  The creative team was attempting to change the brand direction away from the overly embellished “Jersey Shore Vibes.” I was responsible for merchandising, buying and sales for women’s denim and woven’s and  was a part of the team that helped to elevate the assortment and brand back to its 90’s aesthetic.

Unfortunately, this was short lived, and I was laid off again when Armani decided to buy out Presidio as they shifted the merchandising roles to the Italy team. While at A/X, I was responsible for buying and I could see
Ecom taking over retail. Feeling like I wanted a change of direction I started to seek roles in ecommerce, I took an in-between job and eventually landed an opportunity in digital back at Ralph Lauren.

It was a contract freelance position to cover a six-month maternity leave, but I would end up being hired and stayed with the company for four years. There were merchandising aspects to the job, but the primary responsibilities were to manage digital assets to be used for sales and marketing for the Chaps brand. The role grew to include managing operations and Ecom account management. I played a key role in launching Chaps brand apparel accessories and home goods on Amazon, the first RL brand to sell via the platform.

portrait of woman in vintage fighting armor
Gina Iannece. Heroine. Photo: Tony Ward, Copyright 2025

We reached 2020 and were hit with the Covid 19 Pandemic. Retail stores were shutting their doors. The entire Chaps team in all departments were placed on furlough except me and maybe five others. I continued to manage Ecom accounts and create new content, still traveling to various offices in NY and NJ. I found ways to work with the photo
studio and still adhere to health restrictions. I kept the hustle going. Then one day, I was invited to an MS Teams meeting with the entire team and informed that Ralph had sold Chaps, resulting in immediate layoffs. I was asked to stay until spring 2021.

My most recent position was with Randa Apparel and Accessories. RAA is a private family owned company that has been in business for over one hundred years. They hold licenses for many top brands and produce mostly small leather goods like belts and wallets. I managed operations and sales for their Ecom accounts and marketplace/DTC. I joined as they were starting to move into women’s accessories and facilitated highly successful brand launches for Calvin Klein, Cole Haan, Levis, Sam Edleman and Tommy Hilfiger.

But I knew what was coming in 2024, when Randa announced that they would be acquiring Totes and Isotoner. The inevitable restructuring happened, and I was a part of the layoffs. It happened right around the winter holidays when hiring is slower or on hold. So, I began my new job search, started networking, and taking online classes. And I said yes to this chance to be in front of the camera for the first time.

As for this opportunity to be photographed by the TWS team,  even though I sought it out, I was not prepared when Tony Ward asked me to contribute to this project, but I am so happy that I did it.  I decided to meet the moment, and everything just seemed to align perfectly. I started sharing wardrobe ideas with the creative team and Tony shared the background which I absolutely love. Kvaughn had a vision for silver and Anthony Colagreco  found the armor that I ended up wearing. It was giving synchronicity vibes.

The weeks leading up to the shoot were about collaborative preparation. The day of the shoot I was nervous but that quickly turned to excitement by the time Michael Connor finished with me in the makeup chair.  Everyone was professional and encouraging. The studio space was incredible – bright with beautiful wood floors and white walls covered in photos. It felt like being in an RL showroom. The energy was infectious  and I felt seen and heard in the room. This experience was one of the best of my life. I will cherish the memories, images, and the shoes that Kvaughn sourced and gifted to me forever. A week after this photo shoot, I accepted a job offer and am excited to start a new position soon.

Portrait of Gina Iannece by Tony Ward copyright 2025
Gina Iannece. Photo: Tony Ward, Copyright 2025

About The Author:

Gina Iannece is 48 years old, living in New York.  She is a decades long   Tony Ward Studio fan and first time contributor to this webzine.

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To access additional articles by Gina, link herehttps://tonywardstudio.com/blog/gina-iannece-on-grief-and-hope/

Studio News: Day Rentals Available

Interior photo of the new Tony Ward Studio located in Elkins Park, Pennsylvania. USA
Tony Ward Studio
Tony Ward Studio South Facing entrance seating area and executive desk
Tony Ward Studio

Tony Ward Studio located at 361-63 Cadwalader Avenue, Elkins Park, Pa. 19027 is available for day rental. The space is suitable for strobe, continuous and available light photography.  The rate to use the facilities is $50.00 per hour with a one hour minimum. Photographers are required to bring their primary gear: that would include cameras, tripods, lighting equipment and backgrounds.  The studio can provide additional equipment support if needed including; light stands, background supports, grip equipment, super salon studio stand, extension cords etc.

Amenities include off street parking, private model dressing room, client lounge, prop shop with tools, full service kitchen and dining facilities. Tony Ward Studio  also offers creative services, art direction, in house hair & makeup artists on an as needed basis. Additional fees will apply for all creative support services, including Tony Ward private photography classes, consultations, portfolio reviews  and tutorials.  Tony Ward is a world famous photographer and former instructor at the University of Pennsylvania. The first international book release on his photography Obsessions was  published by Edition Stemmle, Zurich, Switzerland in 1998 to critical acclaim.

To schedule studio time: contact Tony Ward  at 267-475-0828 or email Tony@TonyWard.com for queries.

photograph of client lounge office at Tony Ward Studio
Client Lounge
Full Service Kitchen at Tony Ward Studio rental
Full Service Kitchen
Model and talent dressing room at Tony Ward Studio rental
Dressing Room
Tony Ward self portrait with available light 2025
Tony Ward. Self Portrait With Available Light.

 

Fashion: The Allure of Teen Modeling

Teen model strikes a pose wearing a tight fitting black dress
Photo: Tony Ward, Copyright 2024

Fashion: The Allure of Teen Modeling

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Potential Risks and Rewards

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The world of teen modeling often shimmers with allure—fashion shows, photo shoots, and the promise of fame. For many teenagers, it’s a dream career that promises glamour and creativity. However, the path to success is far more complex than it appears, fraught with challenges and risks that accompany the potential rewards.

For aspiring teen models, the appeal is undeniable. Modeling offers opportunities for creative expression, travel, and exposure to the fashion and entertainment industries. It can also serve as a platform for building self-confidence and connecting with like-minded creatives. Success stories of young models landing major campaigns or becoming household names fuel the dream, inspiring others to follow in their footsteps.

The journey to becoming a successful teen model is anything but smooth. The industry is fiercely competitive, with casting calls often bringing rejection after rejection. Many teens struggle to balance school commitments with the demands of modeling, including travel, photo shoots, and fittings.

Additionally, the industry’s strict beauty standards can be mentally and physically taxing. Constant scrutiny of one’s appearance can lead to insecurity or unhealthy habits as teens try to meet expectations. The pressure to maintain a specific look while navigating the formative teenage years can take a toll on self-esteem.

Teen models are particularly vulnerable to exploitation. Scams are common, with fraudulent “agencies” preying on young hopefuls. Even within legitimate spaces, teens may face inappropriate requests or unsafe working conditions. Without proper guidance, they may sign unfavorable contracts that limit their control over their careers.

Furthermore, the industry’s demand for perfection can contribute to long-term mental health challenges, including anxiety, depression, or eating disorders. Families must be vigilant, ensuring their children are supported emotionally and professionally.

Despite its challenges, modeling can offer valuable life lessons. It teaches discipline, professionalism, and resilience. For those who succeed, the rewards can be significant—financial independence, global exposure, and the chance to influence industries beyond fashion. Many models leverage their platforms to advocate for causes or launch secondary careers in acting, design, or business.

For teens considering modeling, preparation is key. Research reputable agencies, involve parents or guardians in decision-making, and set clear boundaries. Prioritize education and personal well-being, and never compromise integrity for success.

Modeling, like any career, comes with risks and rewards. For those ready to navigate its highs and lows, it can be a transformative journey—but only when approached with caution and care.

Behind The Scenes: Heroines & Vixens

Text by Tony Ward, Copyright 2024

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Behind The Scenes: Heroines & Vixens

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Here is a look back at some of the behind the scenes moments of the subjects and the team that it took to produce the dramatic portraits for the Heroines & Vixens series.  My apologies to any of the women that was photographed for the series but are not represented in the mosaic of these captured moments.  I didn’t have the forethought when the series first began to have the sittings documented during production.  

It wasn’t until creative director, KVaughn and I realized there was a thirst on social media for followers to gain insight as to the team work required to produce these portraits. As of this writing 22 women have been photographed from a variety of backgrounds and ages ranging from 21 to 75. Each woman cast writes an introductory story about themselves which is requirement to participate in the series. Some of the stories have been tragic others have been celebratory but all so very interesting. 

I would like to thank the subjects that have sat for the project thus far. They are; Katie Kerl, Brittany Goldberg, Diana Desiderio, Ade Jay, Milan Burnett, Rita Olivia, Slater, Lisa Hughes, Joy Arnold, Megan Golwitzer, Amanda Stevenson, Shannell Verandez, Kathryn O’Connor, Erica Smitheman, Kitty Hailey, Ellen Tiberino, Shawna Williams, Mikala Mikrut, Savanna Hang, Tara Mordin, Scorpiana and Tracey Olkus.

Special thanks to creative director KVaughn, lighting assistant Anthony Colagreco and photographers: Brian Hunt, Steve Feldman and Al B  for producing the photographs for this article.

To learn more about the series, link to galleryhttps://tonyward.com/the-heroines-vixens-series/

Antoinette Naseef: Dana The Comic

black comic book house wife as artist illustration
Artwork by Antoinette Naseef, Copyright 2024

Text by Antoinette Naseef, Copyright 2024

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Dana The Comic

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In the vibrant world of fashion, creativity knows no bounds, yet representation often falls short. Enter a groundbreaking comic strip that centers on the journey of a Black fashion designer, illuminating both the struggles and triumphs faced in an industry rife with challenges. This comic strip serves not only as entertainment but also as a powerful medium for social commentary.

African American comic book featuring aspects of African American life in the world of fashion and design
Artwork by Antoinette Naseef, Copyright 2024

The protagonist, inspired by real-life figures like Ann Lowe and Dapper Dan, navigates the complexities of the fashion industry while grappling with personal and cultural identity. Each panel showcases the designer’s evolution, from sketching designs in a cramped apartment to showcasing at prestigious fashion shows. The character’s journey is punctuated by moments of doubt, systemic racism, and the relentless pursuit of acceptance in a predominantly white industry.

African American comic book featuring aspects of African American life in the world of fashion and design
Artwork by Antoinette Naseef, Copyright 2024

Visually, the comic strip bursts with color and style, reflecting the richness of Black culture. Each outfit designed by the protagonist serves as a canvas for storytelling, incorporating traditional African motifs and modern aesthetics. The art style blends realism with a whimsical flair, drawing readers into the designer’s world. Fashion becomes not just a profession but a form of self-expression and cultural pride.

The narrative arc emphasizes community support, showcasing interactions with family, friends, and fellow artists. These relationships highlight the importance of mentorship and solidarity, reminding readers that success is often a collective journey. Through witty dialogue and heartfelt moments, the comic strip captures the spirit of resilience, inspiring aspiring designers to embrace their unique perspectives.

African American comic book featuring aspects of African American life in the world of fashion and design
Artwork by Antoinette Naseef, Copyright 2024

Moreover, the strip addresses broader societal issues, prompting discussions about diversity in fashion and the need for inclusivity. It challenges stereotypes and encourages readers to celebrate differences rather than conform to mainstream ideals.

In conclusion, this comic strip about a Black fashion designer is more than just a story; it is a celebration of creativity, identity, and resilience. By weaving together fashion and storytelling, it inspires a new generation to break barriers and redefine the narrative in the fashion world.

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Portrait of artist Antoinette Naseef
Antoinette Naseef

ABOUT THE AUTHOR: 

Antoinette Naseef is a formally trained artist and designer. She is based in Philadelphia. Her works are inspired by Nature, ancient Ethiopian art and pop culture. Antoinette’s Work has been featured in New York Fashion Week, Galleries, events and web publications. 

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African American comic book featuring aspects of African American life in the world of fashion and design
Dana

Editor’s Note: DANA the comic book is now available for purchase by linking herehttps://mixam.com/print-on-demand/670fc7ca7f83ba24f760ab42