Couture fashion, the pinnacle of sartorial craftsmanship, has long been a symbol of luxury, artistry, and innovation. Originating in 19th-century Paris, couture—French for “sewing” or “dressmaking”—represents the creation of exclusive, custom-fitted garments that are as much works of art as they are clothing. Its history is a fascinating reflection of cultural shifts, technological advancements, and the enduring allure of haute craftsmanship.
The birth of couture is often credited to Charles Frederick Worth, an English designer who established the first haute couture house in Paris in 1858. Worth revolutionized fashion by presenting seasonal collections on live models, a practice that laid the foundation for modern fashion shows. His designs, characterized by opulent fabrics and intricate detailing, catered to elite clients, including Empress Eugénie of France. By the early 20th century, couture houses like Chanel, Dior, and Balenciaga had emerged, each leaving an indelible mark on the industry. Coco Chanel liberated women from corsets with her timeless, minimalist designs, while Christian Dior’s “New Look” of 1947 reintroduced femininity with voluminous skirts and nipped-in waists.
The mid-20th century saw couture flourish as a global symbol of prestige. However, the rise of ready-to-wear fashion in the 1960s and 1970s challenged its dominance. Despite this, couture endured, adapting to modern tastes while maintaining its commitment to craftsmanship. Today, couture remains a playground for creativity, with designers pushing boundaries to create garments that are both wearable and visionary.
Contemporary couture is defined by a blend of tradition and innovation, with international designers leading the charge. Iris van Herpen, a Dutch designer, is renowned for her futuristic creations that merge technology and craftsmanship, often using 3D printing and unconventional materials. In India, Rahul Mishra combines traditional embroidery techniques with modern silhouettes, celebrating his heritage while appealing to a global audience. Meanwhile, Guo Pei, the Chinese designer behind Rihanna’s iconic yellow Met Gala gown, creates breathtaking pieces that blend Eastern and Western influences, often featuring intricate hand-embroidery and luxurious fabrics.
In the Middle East, Zuhair Murad and Elie Saab have become synonymous with red-carpet glamour, crafting ethereal gowns adorned with crystals and lace. Their designs have graced celebrities and royalty, solidifying their status as global couture powerhouses.
Couture fashion continues to evolve, embracing sustainability and inclusivity while staying true to its roots. It remains a testament to the enduring power of creativity, proving that in a world of fast fashion, true artistry will always have a place. As contemporary designers like scarf designer KVaughn redefine what couture can be, they ensure its legacy as the ultimate expression of elegance and innovation.
Gina Iannece. Vixen. Photo: Tony Ward, Copyright 2025
Text by Gina Ianneci, Copyright 2025
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Model: Gina Iannece
Photographer: Tony Ward
Creative Director: KVaughn
Hair & Makeup: Michael Connor
Lighting Grip: Anthony Colagreco
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Meeting The Moment. A Career in Fashion
In Tony Ward’s “Heroines and Vixens” photo series, I resonate with the duality of strength and allure that defines these women. As someone who has navigated the dynamic world of fashion, I try to embody the resilience and determination of a heroine, while also embracing the bold, confident spirit of a vixen. This series beautifully captures the multifaceted nature of women, reflecting both the power and grace that I strive to bring to my professional and personal life.
My fashion career started in wholesale operations and sales for Nomination Jewelry in the 2001 at the height of their composable charm bracelets popularity in North America.
Next, I had the pleasure of working for the iconic sisters Tish and Snooky, the creators and owners of alternate beauty brand Manic Panic NYC. While managing global sales for key accounts, I traveled to London and
Germany to represent the brand. I also personally negotiated a deal for placement in Sephora stores in the United States.
Because of my success at Manic, I was offered a new position, I went from Punk Rock to Polo. Shifting to a more corporate environment at Jones Apparel Group, working on sales for Oxen Workwear and as the assistant to the VP of Design for Polo Jeans Co, was licensed to Jones at the time. Polo Jeans Co was bought back by Ralph Lauren, and I stayed with the brand transitioning into merchandising. I helped create and launch the brand Denim and Supply by Ralph Lauen, managing men and women’s denim apparel and accessories.
The immense popularity of Denim and Supply led to the end of another Ralph Lauren brand Rugby which ended up leading to layoffs. I lost my job. This is the first time I was laid off and I was devastated. I had developed a love of denim while at Ralph. The different fabrications, weaving and wash techniques, I love all of that. So, I was targeting new roles in denim merchandising and this took me to Giorgio Armani.
I joined that A/X Armani Exchange during a new transformative period for the brand. At the time ,ownership was split between Giorgio Armani corporation and Presidio.The creative team was attempting to change the brand direction away from the overly embellished “Jersey Shore Vibes.” I was responsible for merchandising, buying and sales for women’s denim and woven’s and was a part of the team that helped to elevate the assortment and brand back to its 90’s aesthetic.
Unfortunately, this was short lived, and I was laid off again when Armani decided to buy out Presidio as they shifted the merchandising roles to the Italy team. While at A/X, I was responsible for buying and I could see
Ecom taking over retail. Feeling like I wanted a change of direction I started to seek roles in ecommerce, I took an in-between job and eventually landed an opportunity in digital back at Ralph Lauren.
It was a contract freelance position to cover a six-month maternity leave, but I would end up being hired and stayed with the company for four years. There were merchandising aspects to the job, but the primary responsibilities were to manage digital assets to be used for sales and marketing for the Chaps brand. The role grew to include managing operations and Ecom account management. I played a key role in launching Chaps brand apparel accessories and home goods on Amazon, the first RL brand to sell via the platform.
Gina Iannece. Heroine. Photo: Tony Ward, Copyright 2025
We reached 2020 and were hit with the Covid 19 Pandemic. Retail stores were shutting their doors. The entire Chaps team in all departments were placed on furlough except me and maybe five others. I continued to manage Ecom accounts and create new content, still traveling to various offices in NY and NJ. I found ways to work with the photo
studio and still adhere to health restrictions. I kept the hustle going. Then one day, I was invited to an MS Teams meeting with the entire team and informed that Ralph had sold Chaps, resulting in immediate layoffs. I was asked to stay until spring 2021.
My most recent position was with Randa Apparel and Accessories. RAA is a private family owned company that has been in business for over one hundred years. They hold licenses for many top brands and produce mostly small leather goods like belts and wallets. I managed operations and sales for their Ecom accounts and marketplace/DTC. I joined as they were starting to move into women’s accessories and facilitated highly successful brand launches for Calvin Klein, Cole Haan, Levis, Sam Edleman and Tommy Hilfiger.
But I knew what was coming in 2024, when Randa announced that they would be acquiring Totes and Isotoner. The inevitable restructuring happened, and I was a part of the layoffs. It happened right around the winter holidays when hiring is slower or on hold. So, I began my new job search, started networking, and taking online classes. And I said yes to this chance to be in front of the camera for the first time.
As for this opportunity to be photographed by the TWS team, even though I sought it out, I was not prepared when Tony Ward asked me to contribute to this project, but I am so happy that I did it.I decided to meet the moment, and everything just seemed to align perfectly. I started sharing wardrobe ideas with the creative team and Tony shared the background which I absolutely love. Kvaughn had a vision for silver and Anthony Colagreco found the armor that I ended up wearing. It was giving synchronicity vibes.
The weeks leading up to the shoot were about collaborative preparation. The day of the shoot I was nervous but that quickly turned to excitement by the time Michael Connor finished with me in the makeup chair.Everyone was professional and encouraging. The studio space was incredible – bright with beautiful wood floors and white walls covered in photos. It felt like being in an RL showroom. The energy was infectious and I felt seen and heard in the room. This experience was one of the best of my life. I will cherish the memories, images, and the shoes that Kvaughn sourced and gifted to me forever. A week after this photo shoot, I accepted a job offer and am excited to start a new position soon.
Gina Iannece. Photo: Tony Ward, Copyright 2025
About The Author:
Gina Iannece is 48 years old, living in New York. She is a decades long Tony Ward Studio fan and first time contributor to this webzine.
Tony Ward Studio located at 361-63 Cadwalader Avenue, Elkins Park, Pa. 19027 is available for day rental. The space is suitable for strobe, continuous and available light photography. The rate to use the facilities is $50.00 per hour with a one hour minimum. Photographers are required to bring their primary gear: that would include cameras, tripods, lighting equipment and backgrounds. The studio can provide additional equipment support if needed including; light stands, background supports, grip equipment, super salon studio stand, extension cords etc.
Amenities include off street parking, private model dressing room, client lounge, prop shop with tools, full service kitchen and dining facilities. Tony Ward Studio also offers creative services, art direction, in house hair & makeup artists on an as needed basis. Additional fees will apply for all creative support services, including Tony Ward private photography classes, consultations, portfolio reviews and tutorials. Tony Ward is a world famous photographer and former instructor at the University of Pennsylvania. The first international book release on his photography Obsessions was published by Edition Stemmle, Zurich, Switzerland in 1998 to critical acclaim.
To schedule studio time: contact Tony Ward at 267-475-0828 or email Tony@TonyWard.com for queries.
Client LoungeFull Service KitchenDressing RoomTony Ward. Self Portrait With Available Light.
The world of teen modeling often shimmers with allure—fashion shows, photo shoots, and the promise of fame. For many teenagers, it’s a dream career that promises glamour and creativity. However, the path to success is far more complex than it appears, fraught with challenges and risks that accompany the potential rewards.
For aspiring teen models, the appeal is undeniable. Modeling offers opportunities for creative expression, travel, and exposure to the fashion and entertainment industries. It can also serve as a platform for building self-confidence and connecting with like-minded creatives. Success stories of young models landing major campaigns or becoming household names fuel the dream, inspiring others to follow in their footsteps.
The journey to becoming a successful teen model is anything but smooth. The industry is fiercely competitive, with casting calls often bringing rejection after rejection. Many teens struggle to balance school commitments with the demands of modeling, including travel, photo shoots, and fittings.
Additionally, the industry’s strict beauty standards can be mentally and physically taxing. Constant scrutiny of one’s appearance can lead to insecurity or unhealthy habits as teens try to meet expectations. The pressure to maintain a specific look while navigating the formative teenage years can take a toll on self-esteem.
Teen models are particularly vulnerable to exploitation. Scams are common, with fraudulent “agencies” preying on young hopefuls. Even within legitimate spaces, teens may face inappropriate requests or unsafe working conditions. Without proper guidance, they may sign unfavorable contracts that limit their control over their careers.
Furthermore, the industry’s demand for perfection can contribute to long-term mental health challenges, including anxiety, depression, or eating disorders. Families must be vigilant, ensuring their children are supported emotionally and professionally.
Despite its challenges, modeling can offer valuable life lessons. It teaches discipline, professionalism, and resilience. For those who succeed, the rewards can be significant—financial independence, global exposure, and the chance to influence industries beyond fashion. Many models leverage their platforms to advocate for causes or launch secondary careers in acting, design, or business.
For teens considering modeling, preparation is key. Research reputable agencies, involve parents or guardians in decision-making, and set clear boundaries. Prioritize education and personal well-being, and never compromise integrity for success.
Modeling, like any career, comes with risks and rewards. For those ready to navigate its highs and lows, it can be a transformative journey—but only when approached with caution and care.
Anna at The Plaza Hotel. Photo: Tony Ward, Copyright 2004
Last Days at The Plaza Hotel
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As We Once Knew It
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Anna and I checked in to the Plaza Hotel on the last day it was to be open in 2004 for several years. Its mystique would change forever. I booked one of the iconic rooms to test shoot several dresses designed by a friend in the fashion industry. The style of the clothing was most suitable to the grandeur that exuded history and class.
The Plaza Hotel, perched at the corner of Fifth Avenue and Central Park South in New York City, is one of the most storied landmarks in hospitality. Since its opening in 1907, the Plaza has stood as a symbol of opulence, hosting world leaders, celebrities, and cultural moments that shaped its legacy. But even icons must evolve, and in the early 2000s, the Plaza underwent a significant transformation that changed its history forever.
When the Plaza opened on October 1, 1907, it redefined luxury. Designed in the French Renaissance style by architect Henry Janeway Hardenbergh, the 19-story hotel featured crystal chandeliers, lavish ballrooms, and unparalleled views of Central Park. Its suites catered to royalty, business magnates, and stars of stage and screen, while its Palm Court became synonymous with high society gatherings.
Photo: Tony Ward, Copyright 2004
Over the decades, the Plaza became a cultural touchstone, immortalized in literature, film, and television. From its role in F. Scott Fitzgerald’s The Great Gatsby to its portrayal in Home Alone 2, the hotel remained an enduring symbol of glamour and sophistication.
By the late 20th century, the Plaza faced challenges as newer luxury hotels emerged. Maintenance of the historic building became costly, and ownership changed hands multiple times. In 2004, the Plaza closed its doors for a major redevelopment under its then-owner, El-Ad Properties. The plan was controversial: the iconic hotel would be partially converted into luxury condominiums, with only a portion remaining a hotel.
The decision sparked public outcry, with preservationists and New Yorkers mourning the loss of a beloved institution. Still, the redevelopment moved forward, balancing modern demands with the building’s historic charm.
After a three-year renovation, the Plaza reopened in 2008 with a new identity. Of its 805 original rooms, 282 were transformed into private residences, while 282 remained hotel rooms. The redesign preserved iconic elements, including the Palm Court and the Grand Ballroom, while introducing modern amenities to attract contemporary clientele.
Today, the Plaza Hotel remains a blend of its historic past and modern reinvention. Its transformation in the early 2000s reflects the evolution of New York City itself—a place where tradition and innovation coexist. Though its role has shifted, the Plaza continues to captivate, reminding the world of the enduring allure of Fifth Avenue’s crown jewel.
When I checked out of the hotel the next day a bellman came up to my room with a tearful eyes. I asked him what was wrong. He said, “Ive worked at this place for the last 50 years. It will never be the same.”
