Surviving a heart attack while nine months pregnant is part of my story. I never thought that such a terrifying event would launch me into the public eye and open doors for me to speak in front of people that I may not have otherwise met. BUT that life changing event did that and so much more. It forced me to stop just surviving and start living. It wasn’t thought that I would survive but I did – One accomplishment out of the way – do I dare to add another goal to my list?! I did and I achieved it!! My list is now very long.
Archery was added later but jumped to the top of the list when I entered a pro shop and the man behind the counter placed a bow in my hand. He taught me the steps and told me to take a deep breath – then release – and I did. With that arrow I let go of so much fear, pain, guilt sadness and grief. It was a beautiful feeling. I’m hooked and I hope I never have to put down my bow.
Although I have a weakened heart due to CHF, SCAD uncontrolled tachycardia an aneurysm in my heart and much much more, I live proudly and fearlessly as a person battling heart disease. I tell my story/stories and I help others to understand that their trials and tribulations may be building blocks to a better tomorrow. Allow your story to be released into the world and help others to know that they too can make it to the other side of what may have seemed like something that could have broken them. From my quiver to my bow – I aim and release. Hopefully inspiring others along the way.
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About The Author: Nefertari Williams is a jewelry maker, activist for women with heart disease and the mother of five beautiful children. She lives in Willingboro, New Jersey. To access additional articles by Nefertari Williams link here:https://tonyward.com/nefertari-williams-trolls-have-tells/
I have just received correspondence from an attorney named Adam Steinbaugh with FIRE, the Foundation for Individual Rights and Expression in Philadelphia (adam@thefire.org).
He’s offering his possible help with the problems I’m having with the Virginia Department of Corrections interfering with my right to write and publish my books.
I hope you’re aware of FIRE, as I was not. It sounds like he and his organization are things you should know about, particularly because they’re right there in Philadelphia.
I wrote letters about my problems to a variety of organizations. This wasn’t one of them, but Volunteer Lawyers for the Arts from for warded my letter to him.
I’ve also heard from PEN America in NYC offering their help, even though I didn’t write to them.
His address is:
FIRE
510 Walnut Street, Suite 1250
Philadelphia, PA 19106
Telephone:
(215) 717-3473, ext. 213
I thought I should keep our readers in the loop on this. You or others you know might need their help at some point since the book burners are active again.
The VDOC’s Publication Review Committee banned my book Heaven and Hell on the Road to Reno based on an unpublished proof they seized. The idiots don’t understand that it’s not a publication until it’s published! Their authority extends only to publications. They had no authority to confiscate, review, or disapprove it. They’ve blocked publication, because without the proof I can’t make necessary corrections or editorial changes, so it remains an unpublished proof on my Amazon account.
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About The Author: Bob Shell is a professional photographer, author, former editor in chief of Shutterbug Magazine and veteran contributor to this blog. He is currently serving a 35 year sentence for involuntary manslaughter for the death of Marion Franklin, one of his former models. He is serving the 17th year of his sentence at Pocahontas State Correctional Facility, Virginia. To read additional articles by Bob Shell link here: https://tonyward.com/bob-shell-trump-and-me/
In my mind, I was tagging along with my dad for a photoshoot. Why? The sole reason was that he needed help carrying his equipment up over five flights of stairs. To think this would be the start of the string of events sparking my love for the worlds of art and fashion was all too fun to ponder. The shoot for my dad took place at the James Oliver Gallery, in Philadelphia. I was doing my small part away from the cameras. That was until the director, K.Vaughn, wanted to shoot me for an up and coming collection of scarves. This started my relationship with K.Vaughn. He was already good friends with my dad, they embarked on the project of renovating his atelier/ home. Once again, I tagged along. I got a unique window into the life of the creative mind of K.Vaughn. My respect and admiration for him and the art he surrounded himself with grew.
It wasn’t too long until he called me in for another photoshoot, and another, and so on. It wasn’t just photoshoots that I helped with either. He requested me for his exclusive bistro parties, sudden pop up shops, and the occasional hang out. At this point, I considered him my fashion uncle. KV hit me up for a photoshoot at the Rittenhouse Grill, and told me he’s bringing in another photographer. It was Tony Ward.
I could tell that Tony was more than just a photographer. He’s a man that has the collective creativity of thousands of minds. KV would go on to book two shoots at Tony’s studio. It was during those shoots that I got to know Tony and hear his stories. Over the course of several conversations, I was able to understand some of his philosophies. Tony understands that life is a gift full of struggles, and triumphs. Furthermore he (Tony) teaches that over time life reveals that you need your struggles to be directed towards the triumphs you dream of. This is reflected in his confidence about his work. He knows that his triumphs are the works of art he produces, and the people he decides to invite into his life. With all of these wonderful lessons and experiences I’ve absorbed, my inspiration to continue this absurd string of good fortune has been further strengthened. I can tell it will lead me to places I’d never imagine, but I feel as though I already belong.
Photographs and Video Clip by Ted Kawalerski, Copyright 2024
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The photographers, models, creative director and assistants gathered on the grounds at Tony Ward’s studio for what became a great collaboration of talent.
Each of us being inspired to bring life to the product…Kvaughn Scarves.
***Love, Unabridged – Prose and Poetry by Zachary Starr.But where does inspiration come from? Some say that it is born from the depths of our souls, a wellspring of creativity that flows endlessly within us. Others believe it to be a gift from the universe, bestowed upon those who are open to receiving its divine wisdom.***
I have been a muse for Kvaughn Scarves for many years, always wanting more to show off Kevin’s gift of finding fabrics and patterns that turns heads not only at special events, but also everyday wear.
The Parisian scenes and settings in the TWS studio are provided by TW. The outdoor scenes are also exceptional, provided by the enclave and grounds at TWS.
Though we had planned to shoot until 2pm, we wrapped an hour earlier. We were on fire! The flow of energy throughout each setting kept us all on top of our game.
Matt Sampson, aka the sneaker guy, brought colors that completed the look for each scene.
Larson Hunt, model extraordinaire, was playful on the tire swing, blow up pool and for a finale, he got hosed down in linen.
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KV (Kvaughn), always creative, wore his scarves with style and flare, as only he can.
I, myself, was simply there…natural.
The photographers, TW, Ted Kawalerski (who visited from New York), AlbFor and Isiah, and the assistants Brian Hunt and Tony Colagreco gave their all in making the magic happen.
Afterwards, we sat down around food, drinks, good music and conversation.
Sunday was a day to unwind, regroup and refresh our vision for the next shoot. KV, Brian Hunt and TW joined me at my cabana poolside for a dip in the pool. Cocktails, lunch, music and conversation (which lead to a little brainstorming) defeating our purpose for the time together, but we did return to relaxing with drinks. Then a final dip before saying farewell to until we meet again.
Looking forward to our next venture!
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About The Author:
Milton White is a fashion aficionado, collector and consultant. He is currently creative assistant to KVaughn Studio and style editor at TWS. To access additional articles by Milton White, link here: https://tonyward.com/milton-white-the-supreme-diva/
As I sat down to write this I began as I always do, reflecting on how I even got to write this column. . It all started with a picture. Several pictures really.
A vanity project turned hobby, pinup photo shoots, began as something just for me. Dressing up, having full hair and makeup, pretending for a few hours while someone captures those moments. What’s not to love? Those sessions were a large part of rebuilding my self-esteem. They helped me find myself and my voice. This was especially true when I began having photosets published in magazines. I never did it for the attention. Contrary to popular belief there is NO money in it. It was validation. I was good enough to be included and felt good enough to even try.
Exploring this interest over the last decade or so also introduced me to some incredibly interesting and talented people. Photographers, makeup and hair artists, clothing and accessory designers, musicians, performers, and of course other models. For all the similarities that made our paths cross in the first place, there were countless differences that made us unique.
Initially, I felt incredibly welcomed into this community of retro-loving people. There were invitations to events, public and private, all the time. There were social groups that used common interests to benefit charitable causes. My professional fundraiser heart was so happy, I dove in headfirst. My skills and professional experience allowed me to lean in where I could be helpful with fundraising, social media, organization, volunteer management, anything and everything. It felt great. Until it didn’t.
Despite all outward claims of being welcoming and celebrating diversity in the scene, there was so much judgment, so many cliques, and far too much backstabbing where there should have been support. I speak in past tense due to removing myself from this social scene, but I cannot imagine much has changed since.
I found that, more often than not, inclusion came with a price. IF your uniqueness made you useful to someone or a group, you were included. If not, some other reason would be conjured as to why you weren’t included or invited. I also discovered that as much as you might hear words of encouragement to be yourself and not make comparisons, that wasn’t the standard practice. There was constant comparing and contrasting, not so quiet and not at all kind judgment of why one person’s appearance wasn’t as good as another’s, how their expression of themselves was inappropriate or not authentic. Be yourself, but in the way WE say is correct, or risk the potentially damaging repercussions. It’s not a competition, but I am way better than you. It was never said aloud, but generally understood, and felt.
In fact, one of the biggest things I grew to dislike about this part of my social history, was a blatant disregard of the ideas that “this isn’t a competition,” and “there’s no judgment here.” Yes, The Pinup Contest. I have been a contestant, judge and organizer in a few. I took home a crown once; it was a very strange feeling.
I soon realized why. In an environment where you’re told everyone is welcomed and there’s no judgement or comparison, one of the biggest entertainment outlets is to literally make a contest out of comparing people to one another and awarding prizes to the best. There were always nerves and self-conscious comments expressed by contestants, myself and my friends included. Inevitably, those feelings and comments got reinforced if/when someone else was deemed the winner. There was also the all-too-common occurrence that the winner was not genuinely congratulated. Instead there were whispered accusations about how or why they won and other nasty things said that made those who didn’t win feel better about the loss.In which case, there really was not a winner.
Looking back, there was absolutely nothing award-winning about my responses or appearance on the day I won that contest. I was simply familiar to the organizer. I had never entered any previous contest with them but by simply having attended other events, I was the best choice. It wasn’t exactly fair. Having made that realization, I never entered another contest and was extra careful to check my biases when judging the few I was involved with after.
It’s been several years since I’ve even considered myself a member of this community. Sure, there are individuals with whom I maintain friendships, but I no longer seek out events and contests with the crowd at large that pit women against one another. No disrespect to those who still put on the shows, attend and participate in the contests; they are just no longer for me. I’m a much happier person when I’m more concerned with showing up as the best version of myself and less so with actively trying to prove I’m better than anyone else. Because I’m not.
I ended up right back where it all began; doing things just for me. Blog contributions help me get thoughts out of my head, and maybe put an idea in someone else’s that changes their perspective; or at the very least allows them to kill a few minutes. I haven’t taken new photos in quite some time, but maybe I need to…just for me.
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Kitchie Ohh is a full-time professional fundraiser who has worked with a number of health and human services nonprofits in the Philadelphia area over the last 20 years. She found her passion for modeling after a pinup-style photoshoot in 2013. Since then, she has worked with many talented photographers, stylists, hair and makeup artists in a variety of styles. She has been featured in- and on the covers of – multiple print and digital publications. Over the years, she has branched out from pinup studio modeling to serve as a figure model for live sketching, walked a runway, and was part of two campaigns for Philadelphia designer K. Vaughn.
In addition to her philanthropy-focused career, she has volunteered with art, historical, and community organizations, and even the events team of a local brewery for a while, pre-pandemic.
You’re just as likely to find her whipping up something deliciously plant-based in her kitchen or knitting a sweater as you are to find her on a photography set. Her motto is “be both.” The model and the homemaker, sultry and sweet, serious and silly. All the things, all at once. To access additional articles by Kitchie Ohh, link here:https://tonyward.com/kitchie-ohh-place-my-job-is-to-help/