Feature: Artist Ellen Tiberino


Text by Ellen Tiberino, Copyright 2023

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Creative Director: KVaughn

Hair & Makeup: Tracey Olkus

Lighting Grip: Sam Binder

Photography: Tony Ward, Copyright 2023

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Since birth I was involved in the visual arts and the spirit of creativity. My parents Ellen Powell Tiberino and Joe Tiberino, both had distinguished visual art careers. As a child, I always worked at home as an artist and attended classes at Fleisher Art Memorial.  Over the past twenty  years I have been inspired and I’ve developed as a prominent artist. The largest part of my inspiration was in finding my medium. I truly enjoy working with stained glass and the entire process is a very soothing, almost a religious experience for me. From choosing the different rich colors of glass panes, then cutting and moving the glass pieces around until they work just right, to seeing the finished product emerge after grouting. I work with the stained glass in a method of mosaic that I would equate to painting with glass. It is a very thought out and precise. I like the colors of the stained glass to flow. Nature is one of my biggest inspirations, in which I am constantly amazed and astounded by the natural world around me, and I seek to glorify it in my artwork. 

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stain glass mosaic by Ellen Tiberino
Artwork by Ellen Tiberino. Copyright 2023

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As an African American mosaic artist from a prominent artist family in West Philadelphia, my connection to the community I create for, create with, and represent is rooted in my focus on cultural preservation, restoration, and racial justice. Through community-driven mosaic and ceramic practices, I aim to empower communities by providing a platform for them to share their unique narratives.

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stained glass mosaic art by Ellen Tiberino
Artwork by Ellen Tiberino. Copyright 2023

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My work is deeply informed by the experiences of the community. Their stories, struggles, and aspirations shape my artistic approach and the messages conveyed through my art. By actively engaging community members in my creative process, I ensure that their voices are heard, and their perspectives are authentically represented.

Notable examples of my work demonstrate this commitment. For instance, conducting a workshop and creating a permanent installation at the Pennsylvania Academy of the Fine Arts (PAFA) to commemorate MLK Day in March 2023, allowed me to integrate the insights and experiences of the PAFA community, fostering a sense of collective ownership and representation.

Installing the mural titled “Opposing Forces” in Suburban Station in 2021 with the support of Color Me Back Participants provided valuable opportunities to connect with diverse audiences and gain a deeper understanding of their experiences. These interactions influenced my artistic approach and further fueled my commitment to social change and cultural preservation.

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artwork by Philadelphia artist Ellen Tiberino. stained glass mosaic
Artwork by Ellen Tiberino. Copyright 2023

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Facilitating mosaic workshops and installations at Bartram’s Garden allowed me to directly engage with the community. These endeavors empowered individuals, facilitated meaningful connections, and contributed to positive social change through art.

In summary, my connection to the community I create for, create with, and represent is driven by my dedication to cultural preservation, restoration, and racial justice. By integrating the community’s experiences into my artwork and actively involving them in the creative process, I empower individuals, promote social change, and foster meaningful connections through Art.

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Editor’s Note: Ellen Tiberino will be exhibiting in September at Ultra Silk Gallery, 3808 Lancaster Avenue, Philadelphia, and will run until the  first week in October. The opening will be from 5 to 8 PM on Friday, September 8th. For details contact: UltraSilkgallery@gmail.com, and the phone number is 215-824-6656.

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portrait painting with loose brush by Ellen Powell Tiberino
Artwork by Ellen Powel Tiberino, Copyright 2023

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The theme of the show is empowering women, the strength of women. Ellen will be exhibiting works along side seven female artists including her mother, Ellen Powell Tiberino.

Ted Kawalerski: The Saudade of Neal Slavin

portrait of the great photographer Neal Slavin by Ted Kawalerski copyright 2023
Neal Slavin. Photo: Ted Kawalerski, Copyright 2023

Photography and Text by Ted Kawalerski, Copyright 2023

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The Saudade of Neal Slavin

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On what turned out to be a beautiful morning in New York, I was walking along Greene Street in SoHo to meet with Neal Slavin in his studio.  Tony Ward publishes a monthly blog and he asked me to make a portrait of Neal for an upcoming issue.  I had no idea of how I was going to make this happen.  I actually like to work this way and just let things evolve. When I hit #62 I rang the buzzer and entered what developed into a magical mystery tour.

Neal Slavin is a legendary photographer/director that I had never met before. He is probably most famous for the pictures that he made of large groups of people. However, there is a lot more work than that.  In over forty years I have photographed many famous people and I usually work with assistants and a lot of equipment. For this adventure, I decided to work alone and low key. This proved to be the correct decision.

As soon as I made it to the second floor, I was greeted by Neal’s wife and Producer Anita Burkhart. That set the tone for the rest of the afternoon. She has the kind of persona that you immediately feel like this is going to be a real good day.  Neal made his entrance with the same vibe and we went into the main studio. Their combined living/work space is the paragon of an artist’s environment – organized disorganization.  It’s fabulous!  We sat around a long table and drank a lot of coffee.  Anita had to leave but Neal and I spent several hours talking – about a wide variety of subjects.  In particular, Neal elaborated about his relationship with Portugal.

In 1967 Neal went to Portugal via a Fulbright Scholarship to photograph an archeological site but he became more interested in the people and he created a collection of black and white images that are incredible. He discovered Saudade, which is a unique Portuguese term that refers to a melancholic longing. This was a time when Portugal was under the brutal dictatorship of Salazar and his pictures reflect Saudade.

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Neal recently returned to Portugal to make a film – Saudade a love letter to Portugal which Neal refers to as “portrait of an artist in search of his soul.” He reconnected with people that he met fifty years ago and he interviewed them for the film. He also shot color stills which are an interesting contrast to the early black and white pictures. Portugal has transitioned to a much different place than when Neal was first there and he was fortunate to have the cathartic experience of personally witnessing this metamorphosis.

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So, finally Neal asked “What are we doing?” Fortunately I had the answer. While we were sitting at the table I was facing a wall that had a large work print of a picture that Neal did of a group of NYFD Chaplains.  When I first walked into the studio I thought that I would do an environmental portrait of him.  After our talk ended I wanted to do a simple photo.  I asked Neal to stand in front of the work print, I moved a light panel that was on and WE made his portrait.  I drank so much coffee that I was shaking so much  I had to use a tripod and cable release. Neal looked at the results, gave his approval and within minutes we were done.

Neal Slavin is one of the most interesting people that I have ever met!  This is not hyperbolic bullshit! No attitude or egomania. Just intellect!

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About The Author: Ted Kawalerski is a New York based photographer and filmmaker who has been shooting for more than 40 years for corporations, graphic design studios, and advertising agencies.

He has done assignments worldwide of AIG, Bank of America, Chevron, Dominion Resources Services, Ernst & Young, Harris Corporation, Johnson & Johnson, Liberty Mutal, MasterCard, Medico, Pitney Bowes, Praxair, United Technologies Corporation and The Hartford.

Ted lives on the Hudson River in Sleepy Hollow, NY and is involved in an ongoing project to photograph landscapes and portraits along the entire length of the river.  This work has been exhibited in one-man shows in New York City at MV Gallery and a The Beacon Institute in Beacon, NY. Another project, “Windows” has been exhibited in NYC and Connecticut.

With two partners, Matt Stanton and Gene Mayer, Ted launched Cork Factory Films, a full service film/video production company. To access Ted’s film work, link herehttps://corkfactoryfilms.com/

George Krause: Quality Time With a Legend

Legendary photographers George Krause and Tony Ward sit together
Photo of George Krause and Tony Ward courtesy of W. Keith McManus, Copyright 2023

Text by Tony Ward, Copyright 2023

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Quality Time With a Legend

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I first met George Krause at an exhibit of his work in 1974 at Photopia Gallery on South Street in Philadelphia.  This was the first time I was introduced to his work and was taken immediately by his mastery of the craft. His early black and white street photography from the 1960’s are included in the canon of photographic history evidenced by his inclusion in the seminal publication in 1973, Looking at Photographs, 100 Pictures from the Collection of The Museum of Modern Art by John Szarkowski, who at the time was the director of photography at the MOMA.

We became friends when I invited him to exhibit his work while I was a graduate student at the Rochester Institute of Technology from 1977 to 1979.  Here is a draft of a letter I sent to George regarding the invitation to exhibit his work at the institute and his response.

Letter to George Krause from Tony Ward 1978
Letter to George Krause from the Tony Ward Archives 1978.

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Letter from famous photographer George Krause to Tony Ward
From the archives of Tony Ward 1978

George, now 86 years young called me on the eve of the recent annual Photo Review picnic as he and fellow octogenarians Larry Fink and Neal Slavin were being celebrated at this years event which was held at Haverford College in Haverford, Pa.  On the eve of the celebrated gathering George  mentioned that he was going to visit noted photographer Lawrence Salzmann at his charming home in Powelton Village the day before the picnic. Many thanks to W. Keith McManus for capturing this intimate moment with a dear friend and mentor to many photographers world wide.

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To access a gallery of his work and interview I conducted with George Krause in 2018, link here: https://tonywardstudio.com/gallery/george-krause-interview-with-a-legend/

Fiction: Night Swim

beautiful brunette shivering after taking a nude night swim
Night Swim. Photo: Tony Ward, Copyright 2023

Fiction by ChatGBT

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Night Swim

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The evening air was crisp as the sun dipped below the horizon, casting a warm orange glow across the serene lake. A beautiful woman named Diana emerged from the water, her long dark wavy hair clinging to her wet skin, glistening in the fading light. She stood at the edge of the lake, shivering slightly from the coolness of the water and the gentle breeze that swept through the valley.

As Diana tried to warm herself, she instinctively covered her breasts with her arms.  Her gaze was fixed on the distant mountains, captivated by their majesty and the ethereal beauty of the setting sun.

But in that moment, as she turned her head slightly to the right, Diana noticed a movement out of the corner of her eye. Her heart skipped a beat, and a sense of vulnerability washed over her. She realized that she wasn’t completely alone.

Her instincts urged her to flee, to seek the safety of her clothes and retreat from the unexpected presence. But curiosity mingled with fear, compelling her to stay and investigate. She wanted to know who else shared this isolated lakeside paradise.

Slowly, Diana turned her gaze towards the source of the movement. Her eyes widened in surprise and intrigue as she saw a figure emerging from the shadows. It was a man, tall and muscular, with an air of mystery about him. His eyes met hers, and a moment of silent understanding passed between them.

There was a charged energy in the air, a recognition of the raw vulnerability they both felt. Diana’s initial fear began to transform into a different kind of anticipation. She felt a flicker of desire awaken within her, blending with the lingering sensations of her nude night swim.

Without a word, the man approached Diana, his eyes never leaving hers. His presence was both comforting and electrifying, drawing her in like a magnet. She found herself entranced, her body responding to his proximity.

As he reached her side, the man extended a hand, a silent invitation for Diana to join him on this twilight adventure. Something within her urged her forward, and with a mix of trepidation and excitement, Diana placed her hand in his.

Together, they walked towards the fading light, towards the mysteries that awaited them beyond the mountains. The photograph would forever capture that fleeting moment of connection, a testament to the power of unexpected encounters and the allure of the unknown.

 

 

 
 

 

 

Bob Shell: Images and Artificial Intelligence

Portrait of porn star Kimberly Kane photographed by famous photographer Tony Ward
Film Photo: Tony Ward, Copyright 2023

Text by Bob Shell, Copyright 2023

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Images and Artificial Intelligence

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Every year, Sony Corporation sponsors the Sony World Photography Prize. Thousands of photographers worldwide enter to win this prestigious award. 

This year’s winner was Boris Elgadsen who won with a portrait of two women. 

After winning, Elgadsen revealed that his winning image was not a photograph at all, but the creation of an artificial intelligence program. 

He said he was just testing to see if artistic competitions were prepared to detect AI creations. “They are not,” he said in an understatement itself worthy of a prize. 

Years ago when Photoshop first became available, a traditionalist photographer told me, “This is the death of real photography.” In a sense he was right. 

It used to be that photography represented reality, at least for the most part, because manipulations were difficult. Photoshop changed that. Now, we won’t even need a photograph or photographic elements as starting points to create an image. Just describe what you want to an AI program and it will create it for you. 

AI is also capable of generating sound. Using the Telegram app, users can create false voices. The hacker group known as Torswats offers services such as closing down a school with an AI generated bomb threat for $ 75. For $ 50 they will they will call in a report designed to have police raid a person’s house and haul him off in handcuffs. 

Beyond photography and malicious use of AI, using the app Replika anyone can create a virtual human. A boyfriend or girlfriend who will love you unconditionally, and look and act as you choose. Many users say they prefer these artificial people to the real thing. Using a VR headset, you can interact with them in a virtual reality superimposed on your own reality. The only downside — you can’t touch or be touched by them — yet!

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About The Author: Bob Shell is a professional photographer, author, former editor in chief of Shutterbug Magazine and veteran contributor to this blog. He is currently serving a 35 year sentence for involuntary manslaughter for the death of Marion Franklin, one of his former models.  He is serving the 13th year of his sentence at Pocahontas State Correctional Facility, Virginia. To read additional articles by Bob Shell related to UFO’s, click here: https://tonyward.com/bob-shell-film-makes-a-comeback/