Kitchie Ohh: My Job is To Help

Kitchie Ohh photographed for Tony Ward's Vixen's series wearing KVaughn ALUMINUM WRAP DRESS
Kitchie Ohh. The Vixens Series. Photo: Tony Ward, Copyright 2024

Text by Kitchie Ohh, Copyright 2024

Photography by Tony Ward, Copyright 2024

Styling by KVaughn for The Vixens Series

If you’ve had any number of jobs in your life, they probably weren’t all great. Maybe the job wasn’t satisfying, didn’t pay well, had terrible coworkers, or an even worse boss. It happens. More often than not, people take a job out of necessity. They work multiple jobs to make ends meet. They put up with a LOT of unnecessary stress and dysfunction just to afford to live. I know all of this all too well. 

I’ve been working in the nonprofit space for all but one year of my career. I’m mission driven. Working for a cause helps make all of the office drama, the headaches and stress worth it. Until even that can’t balance the scales. I firmly believe people don’t leave jobs, they leave situations and people. 

I began my previous job, as a food bank fundraiser, in the Autumn of 2019. It seemed so perfectly suited for me. I was really feeling like I found my place. I had just a few months in when the world shut down for the pandemic. As an essential service, we remained open, figuring out daily how we would operate amid ever-changing precautions. If that wasn’t stressful enough, we soon experienced a huge shift in leadership. Suddenly the amazing team we had built came crumbling down. New faces, new rules, resignations, terminations, a general sense of unease and mistrust. My perfect role was turning into a nightmare. I no longer had a designated space to work in the office, it was assigned to someone else, but I was still required to be there several days a week, finding whatever space was available. Soon, I was accused of not meeting the expectations of the job. Those expectations turned out to not even officially be related to my role with the organization. Yet, I was being reprimanded for failing to perform and told to start making them my responsibility if I wanted to remain on the payroll.  I began the job search that day. It wasn’t easy. 

In the midst of the job related stress, I had an emergency home repair that came with a giant price tag and also forced me out of my home with just a few hours notice. I had to pack myself up to live at the closest dog-friendly hotel for an as yet undetermined amount of time. Living and working from a standard room at the Red Roof Inn with a giant, nervous about everything dog was not a good time. It was even less of a good time being told unsympathetically, that regardless of what was happening, I still needed to be present at work. 

In a shocking case of the Universe can be a real bitch sometimes, in between all of that, I lost my aunt quite suddenly. I did get to tell her goodbye, but it wasn’t enough time and it certainly wasn’t fair.  As I sat with her, she rubbed my back and told me how proud she was of me for choosing the line of work I did. For making it my job to help people. It seemed a strange turn of phrase when she followed that up with, “you know what you have to do, you do, you can. Keep fighting. I love you.”  Shortly after she passed, I had a very vivid dream about her. I was also having a rougher than usual day at work despite it being a “from home” day, and was talking to my sister to vent my frustration. Mentioning my dream, I was met with an “OMG ME TOO!!”  We took a few minutes to laugh about it, recalling funny things about her and her way of being the unofficial boss of the family, while pondering what she was trying to say. I was feeling a little lighter so I dove back into work. 

As I took my lunch break, I was hopefully checking my email to see if any of the job applications I completed had gotten responses. Instead, I found a notification about a position I might be interested in. I clicked. I read. It sounded perfect. And coincidentally  the cause had a direct connection to my lovely, bossy, missed dearly aunt. The aunt I dreamed of, the one whose last words to me were cryptic then, but made total sense now. Shaking I relayed all of this to my sister. Who told me if I didn’t apply right fucking now, I was insane. 

Over the next few weeks, I had a series of emails, phone calls, and in-person interviews. Every single one felt right. It went so fast. I was terrified, but I accepted an offer and tendered my resignation on the same day. Two weeks and three days later, I was sitting in my own office. Not a shared workspace that I could use only if no one else was. My name was on the door, still is. 

I have grown so much in the last two-ish years touched on in all of the above, personally and professionally. I now know what that fighting and knowing what I had to do statement was all about. I have shown not only my new colleagues, but myself, what I’m capable of; that I DO actually know what I’m doing. I’ve fought for what is right and best practice to achieve the organizational goals. I’ve gained responsibility for many things, including the oversight of a whole team, and more coming. I’m co-leading a project that has been a long time coming and will be transformative.  And most importantly, I feel heard, respected and trusted. 

Just this week, my first annual review was filed. In my over two decades of work, I have gone through this process more times than I wanted to. This was the first time I was left speechless. I am honestly still processing some of the things that were said. Not because they were terrible, but because they were so positive and appreciative I didn’t know how to respond. Thanks? You’re welcome? SHUT UP!!! All of those and more ran through my head, and probably were said. It was more than the number crunch of ratings for ‘core values’ and accomplishments for the year. It was the way that someone – my boss – took the time to run through all of it but also relay to me that everything I have done since joining the team has pushed us in the right direction. That the way I am able to take every single thing that’s been thrown at me and somehow make it happen, is astounding. The way that if my name is brought up in a room where I am not present, only good things are said. The ability I have to remain calm while navigating outdated processes and simultaneously improving them is a superpower; and helped us exceed goals. 

Everything has lead up to this moment. I am who I am because of every day before this one, everyone I’ve encountered and every lesson learned. I don’t know how the future is going to play out, but I’ll keep fighting for what I know has to be done, because I can. I got this, thanks Aunt Bet.

Lileet_Miriam: The Latest Vixen

Tara Mordin the latest Vixen in a series by Tony Ward Studio copyright 2024
Tara Mordin. Photo: Tony Ward, Copyright 2024

Text by Lileet_Miriam, Copyright 2024

Photography by Tony Ward, Copyright 2024

Styling and Creative Direction by KVaughn 

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When I was contacted by Tony Ward Studio to partake in this project, “The Vixen Series,” I was genuinely honored, very excited, and quite honestly, humbled. I viewed this invitation to be in a league of its own – an elite circle of amazing women from all walks of life who were having their beauty, thoughts, strengths, and tribulations highlighted in a way that exuded power and commanded respect. As I began to ponder more on the concept of what it means to be deemed a “vixen,” I realized that the whole is greater than the sums of its parts. To be considered and included with these other “vixens,” meant that I brought something to the table that is equally powerful, enticing, and worthwhile that goes well beyond having a physical presence. 

Many of us have had moments in life where we are our toughest critics – questioning our worth, doubting our abilities, obsessing over how others perceive us. I think being considered a vixen allows one to fully embrace their true, authentic self and showcases how their individual uniqueness has its place in this vast world. We each have physical and interpersonal traits that make us different from the next. When we acknowledge and accept such attributes and celebrate what they truly offer, it opens a window of opportunity that is filled with confidence, empowerment, even pride. The more positivity and ownership of our value that we portray to others, the more impact and inspiration it tends to have. 

Over time, I feel that I have reached my own prime. I am unapologetically, me. I have grown a tremendous amount as a person, both inside and out. I have come to learn that my qualities do carry inherent value and that my input, time, energy, and overall presence, matter. Being a part of this series has reinforced that for me. It continuously sheds light that there truly is more to a person than what we first may see and that each of us should honor, praise, and recognize our own inner vixen, in all its amazing forms.   

Sightseeing in Paris at night beautiful woman wearing lingerie exposing her beautiful legs as she looks onto the Eiffel Tower.
Sightseeing. Photo: Tony Ward, Copyright 2024

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To access additional photographs from The Vixen’s Series portfolio, click herehttps://tonyward.com/the-vixens-series/

Kitchie Ohh: Oh, It’s Nothing!

Glamour portrait of the very sexy pinup model Kitchie OHH for Tony Ward Studio
Kitchie Ohh. Photo: Victor Devilbliss. Copyright 2024

Text by Kitchie Ohh, Copyright 2024

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Oh, It’s Nothing!

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If you’ve read my earlier posts here, you know how close I am with my family. They are a large part of the person I am today. If you haven’t, well, that’s kind of an understatement but still true.

Recently, I was shocked to get the several days delayed news that my mother had fallen and severely injured herself. She required immediate surgery and would need to remain in the hospital. It was very little consolation that this injury occurred while she was doing what she and my father love- seeing the world from on board a cruise ship- or that said ship was docked in the gorgeous port of Maui, Hawaii at the time. She was, literally, on the other side of the world, and there was not a damn thing I could do to help. 

When we were finally able to speak, my parents told me of the excellent care at the hospital, the kindness delivered alongside the routine medical services. And, of course, they were thankful that the hospital was near beachfront and they had a gorgeous view. They could still see a bit of Hawaii, despite their situation. 

My siblings and I, unknown to either of our parents, sprang into action, assigning and volunteering for key tasks that would need to be completed before mom came home. She would be unable to climb stairs for 6 weeks, maybe longer. There was no way we could allow her to come home without a plan that was in equal parts for her recuperation and for our peace of mind. We would need to make the ground floor comfortable enough to be a makeshift bedroom for her, clear enough to safely accommodate a wheelchair or walker, private enough to allow for daily hygiene tasks if she couldn’t get to the bathroom.There was more we didn’t know about what she needed, than what we did.  Everything we could think to do, was done, having no idea when -or HOW- they would be getting home. We were as ready as we could be. 

Luckily, my niece was with them and made the necessary flight and hotel arrangements to get them all safely from there to here. Just shy of one week from the day we heard the news, we were planning for their arrival back to Philadelphia. Unfortunately, the weather was not cooperating. A week of storms made travel more dangerous, not to mention added the never fun task of snow and ice removal to our to-do list. But that evening, the flight remained on time and we got mom and dad (niece and fiancée, too) home safely, to a clear driveway, and an organized house with only a few minor hiccups not even worth mentioning. 

As we settled them in and listened to all of the details between hugs and tears, the relief everyone felt was obvious. Home is a magical, comforting place. We pointed out all that was done in preparation and made sure nothing was missed, addressing if it was. Soon, all of us were yawning, it was definitely time to rest, but not before confirming the remainder of the plan. 

Reconvening the following morning, we shopped, chopped, cooked and meal prepped, cleaned and did laundry. We made it easy for dad to keep things going while he worried and fussed over mom. We also sat around and did what we do best. We ate, we talked and laughed, made wildly inappropriate jokes and brought back a sense of normalcy. 

Completely overwhelmed, mom repeatedly apologized, dad paced, and both thanked us profusely. As we finished up tasks, made sure every detail was handled, Dad beamed, telling us how proud he was at the way we pulled together; no arguing, no questions asked, just jumping into action when they were in need. 

My first thought was to say “oh, it’s nothing!” but recalled another instance of stepping in to handle a stressful situation for someone else and the response that remark got me.“Don’t ever say that. It may seem insignificant to you, but that small thing, that “nothing” meant so much more than words can express.” And so, standing in the kitchen, drying my hands after cleaning up the last of our mess, I hugged my dad, tightly, and told him, “that’s what we do, right? It’s what you and mom taught us, by showing us. If there’s something you can do to help, you do it. We love you.” 

Honestly, there really isn’t a better lesson I can think of that they taught me by setting this example. It’s not one that only applies in times of crisis or just to family either. An action, a compliment, getting someone their favorite snack just because, being a hug or shoulder to cry on, whatever it may be, however little effort it took, it means something. It could mean everything to that person in that moment. 

It’s the smallest things bring me the most joy, whether I’m providing or receiving them. Grand gestures make me uncomfortable. Words often go unsaid. But the ‘I saw this and thought of you,’ the ‘I did that thing you’ve been putting off so you don’t have to worry about it,’ the everyday mundane, small things, the going slightly out of your way, tolerating a mildly inconvenient moment for the benefit of someone else, unasked….THAT is love in the purest, kindest form. 

So, in this month of all things chocolate, roses, hearts and love, as people bend over backward for their Valentines for one day,  think smaller. It might mean more than you will ever know. 

Glamour portrait of the very sexy pinup model Kitchie OHH for Tony Ward Studio
Kitchie Ohh. Photo: Victor Devilbliss. Copyright 2024

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ABOUT THE AUTHOR:

Kitchie Ohh is a full-time professional fundraiser who has worked with a number of health and human services nonprofits in the Philadelphia area over the last 20 years. She found her passion for modeling after a pinup-style photoshoot in 2013. Since then, she has worked with many talented photographers, stylists, hair and makeup artists in a variety of styles. She has been featured in- and on the covers of – multiple print and digital publications. Over the years, she has branched out from pinup studio modeling to serve as a figure model for live sketching, walked a runway, and was part of two campaigns for Philadelphia designer K. Vaughn.

In addition to her philanthropy-focused career, she has volunteered with art, historical, and community organizations, and even the events team of a local brewery for a while, pre-pandemic.

You’re just as likely to find her whipping up something deliciously plant-based in her kitchen or knitting a sweater as you are to find her on a photography set. Her motto is “be both.” The model and the homemaker, sultry and sweet, serious and silly. All the things, all at once. To access additional articles by Kitchie Ohh, link here: https://tonyward.com/kitchie-ohh-thanks-i-feel-awful/

Savanna: On Swings


Text by Savanna, Copyright 2024

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On Swings

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Photography by Tony Ward, Copyright 2024

Creative Director: KVaughn

Hair and Makeup: Octavia Monroe

Lighting Assistant: Anthony Colagreco

BTS: Al B For

Rope Work: Scorpiana

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Last year, to my delight, I got to meet and get close to someone quite special. This someone turns out to be my inner child, and she is so rambunctious. Lively, mischievous — all she wants to do is have fun. And I think I am becoming one of her biggest fans.

I’ve been thinking a lot about swings (and her) lately. She brings with her memories of twisted-up steel chains, raveling and unraveling at inhuman speeds. Interlocking ankles with friends, swings swinging higher and higher, back and forth until the mishmash of ankles finally comes loose. (We called these ‘banana splits.’) Fast racing heartbeats as she and her friends dared each other to jump as far as they could. She would even place the seat against the middle of her back so she could wrap her little legs around the chains above and swing upside down.

This shoot for The Vixens Series was full of firsts. It was my first shoot in collaboration with Tony Ward, his studio, and his creative team. It was the studio and team’s first shoot incorporating Shibari and rope suspension elements. I love rope. Consensual rope bondage involves using rope as a means of restricting movement, wrapping, suspending, or restraining someone; it is a subsection of BDSM activities and has roots in Japanese rope bondage. When I think about it, I’m not surprised that this is what my adult self has fallen in love with. An inclination to be on the ground and to feel all the sensations internally and externally. It’s the “just feeling” part. Flavors of rope that I particularly enjoy: when my head is in my body, the mental endurance, challenging the reality of pain, the goofiness, the exploratory moments of seeing what my body can physically take and its range of motion, and the connectivity I can experience with others.

If I think about it a little more, I can see the little spirited inner child beside me, along for the ride. And she’s having so, so much fun.

Out of the different looks during our collaborative shoot, my favorite was our rope concept. I don’t have much experience with a fashion editorial-style shoot, and the team hadn’t done rope bondage in previous shoots. We were suddenly on the precipice of something new. We were all explorers! I loved that we were all experiencing something new together — through one another. To me, being seen as a vixen is a shared experience. It is to explore the unexplored with others, feel with them, react with them; it is something everyone contributes to.

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ABOUT THE AUTHOR: 

Savanna currently resides in New York. She enjoys finding new music, traveling, experimenting cooking with different foods, and caring for her plants.  This is Savanna’s first contribution to Tony Ward Studio. To access additional articles by Savanna, link here: https://tonywardstudio.com/blog/savanna-autonomy/

Shane Verandez: Flesh for Fantasy


Text by Shanell Verandez, Copyright 2024

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Flesh for Fantasy

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Flesh will never last, but a sculpture lives on forever…
 
What an incredible vibe to have a sculptor capture a piece of your essence within the compounds of clay to be seen by future generations to come. Imagine that…
My encounter with the sculptor, IIya Livshits, first started as friends on Facebook. I didn’t know that he was an artist let alone a sculptor, his art wasn’t displayed on his Facebook page. I just thought he was an avid hiker/ Nature lover, who likes to dance. So naturally, when he asked me if he could do a sculpture of me, I thought it was a spam message. I mean, it’s not every day or any day that you get asked that lifetime question!
 
I was apprehensive, but curious and expressed interest, so we met in person at an Ethiopian cafe in West Philadelphia. I needed to meet this undercover artist in person and catch a glimpse of this man… Read the vibrations. The meeting was a success and I decided to go ahead and model for project “claymation”. It turned out that the sculptor is an avid hiker, naturalist from Kharkiv, Ukraine Who is a self-taught sculptor since he was 12 years old. IIya now resides in Philadelphia,Pa., and is a Center City based software engineer by day and sculptor extraordinaire by night. The undercover artist… Some of us tend to take on dual lifestyles… “Pleasing others to please ourselves” in order to create our art.
 
During the day of project “claymation”, I was a little nervous because I am going to be in a private studio setting with the sculptor and had to prepare myself mentally and physically for the session. I quickly informed Ilya that I want to live to be 100 years old and am armed for protection so no funny stuff! In these times, you have to protect your “temple” from harmful forces, models! We made it to IIya’s studio located in a large Port Richmond vintage warehouse. His studio was located close to the top floor. Once I entered the studio, it was like a Clay Wonderland of multifaceted figurines of all sizes, races, creeds, and gender so intricately designed by IIya’s hands. The atmosphere of the studio was safe and comfortable, IIya’s laid back and accommodating nature added much to that. I remember during our first meeting( and his Facebook profile pic) that he likes to dance , so I put music on and watched him dance as he set up the space and then without notice, started to throw down the clay and begin to shape a bust of my face. He didn’t even need me to sit still to capture my bone structure. I had realized he was studying my face the whole time in motion. Now that’s impressive…
To capture art in motion and mold the subject into a real form.
 
To IIya, I was a living work of untamed art that he wanted to capture and mold into separate pieces. First the face, and then as he danced and pranced around the studio, started on the second piece, my nude torso, while taking pictures for future photo references to the sculptured pieces done that day. This will help the sculptor continue the focus on his work as the clay is drying for the final phases of completion. It turns out that IIya is a pretty decent photographer too. As the sculpting session began to wind down, and the sculptures were taking shape, a sense of pride started to overwhelm me. You see… I grew up as an “ugly duckling” and never had any confidence about my looks. Even now sometimes I still feel like that duckling, but through the forms of my clayed face and torso sculpted by IIya’s hands and eyes gave me a great profound sense of worthiness. Watching myself being sculpted was an “outer body” experience… A mirrored twin, as I look at a reflection of myself. A clayed form of my evolution that captured little trinkets of my soul into a solidified figure. Not only do I consider this act of art a compliment from the sculptor, but a lasting tribute, that I am here, will be here and made a “beauty” mark in this world. Thank you, IIya Livshits for the incredible experience! May there be more pieces to explore…
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Portrait of beautiful black woman wearing a scarf nude underneath and dark fashionable sunglasses
Shanell. Photo: Tony Ward, Copyright 2024.

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To access additional articles by Shanell Verandez, click herehttps://tonyward.com/shanell-verandez-phillys-black-and-brown-fashion-history/