Category Archives: Glamour

Bob Shell: A Stitch in Relative Time

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Photo: Bob Shell, Copyright 2019

 

Photography and Text by Bob Shell, Copyright 2019

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A Stitch in Relative Time

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What really is photography? I think it is an outgrowth of our inability to revisit moments in time. The old tentmaker wrote:

The moving finger writes, and having writ,

moves on, Nor all thy piety nor wit

can lure it back to cancel half a line,

Nor all thy tears wash out one word of it.

We move through time headlong, like a boat with no rudder, and must follow the current wherever it takes us. When we die, all the moments of our lives are gone, “like tears in rain.”

That, at least, is the viewpoint of most people, who never realize that they are projecting a Newtonian viewpoint onto external reality. But since 1905 and Einsteinian Relativity we should have realized that we actually exist in a Relativistic reality. Time, that we seek to capture slices of, is not something that flows. It is the fourth dimension of reality that Newton simply took for granted as being the same everywhere. But Einstein showed us that time is not absolute, that it varies depending on the position and motion of the observer. Most of us haven’t integrated Einsteinian Relativity into our daily worldview, we’re stuck back centuries ago with old Isaac Newton.

“Physics itself recognizes no special moment called ‘now’ — the moment that acts as the focus of ‘becoming’ and divides the ‘past’ from the ‘future.’. In four dimensional space-time nothing changes, there is no flow of time, everything simply is…It is only in consciousness that we come across a particular time known as ‘now’ …It is only in the context of mental time that it makes sense to say that all of physical space-time is. One might even go so far as to say that it is unfortunate that such dissimilar entities as physical time and mental time should carry the same name.”. — Russell Stannard, Emeritus Professor of Physics, Open University.

“Particles themselves do not even move, being represented by ‘static’ curves drawn in space-time. Thus, what we perceive as moving 3D objects are really successive cross sections of immobile 4D objects past which our field of observation is sweeping.” — Roger Penrose

So if the time we perceive and the motion we perceive are illusions, what is the point of photography? I’ve been wrestling with that question. Will we one day be able to get outside time and revisit “moments from the past”? I’d be very surprised if we don’t.

Years ago, in the early 1960s, my father came home from his job as a TV news reporter one day very excited. He showed us a press release from the U.S. Navy in which it stated that the Navy had developed a “time camera,” which could take photographs of a scene as it was hours before. The example they used was to photograph an empty parking lot and get images of all the cars that were parked there earlier in the day. We were all wowed by this announcement, and I remember anxiously awaiting more news about this “time camera,” but none was ever forthcoming. Nor was there ever an official denial — nothing. If it was a hoax, I’d have expected some official denial. Periodically over the years I’ve tried to find any information about that camera, but have never found a thing. I’ve always suspected that the information was released to the press by mistake, and quickly withdrawn behind a veil labeled “Top Secret.” Just imagine what a powerful historical research tool that would be!

In a very real sense we always photograph the past. Say you are photographing someone twelve feet away. Light falls on that person and some is reflected to your camera, but it takes time for that light to come from your subject and reach your film or digital sensor. Light travels at a rate of one foot per nanosecond, so if your subject is twelve feet away, you are photographing them not in the present instant when you trip your shutter, but twelve nanoseconds in the past. Your subject is always younger in your photographs! Your camera is always a time machine. However, until that light strikes your film or sensor the image is in the future relative to you.

Now twelve nanoseconds is pretty small potatoes, but what about when you hook your camera to a telescope and point it at the moon, which is one light second away, or at the sun which is eight light seconds away, or even at Alpha Centauri which is 4.3 light years away. You’d be photographing respectively 1 second, 8 seconds, or 4.3 years into the past. From the perspective of someone on the moon, the sun, and Alpha Centauri, you are 1 second, 8 seconds and 4.3 years in their future. So you see their past, but their “present” overlaps with your past so from their perspective they see your past. Clear? Relativity can be confusing!

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About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence for involuntary manslaughter for the death of Marion Franklin, one of his former models. Shell was recently moved from Pocahontas State Correctional Center, Pocahontas, Virginia to River North Correctional Center 329 Dellbrook Lane Independence, VA 24348.  Mr. Shell continues to claim his innocence. He is serving the 11th year of his sentence. To read more letters from prison by Bob Shell, click here: http://tonywardstudio.com/blog/bob-shell-why-radford/

 

Also posted in Art, Blog, Documentary, Erotica, Men, Models, News, Photography, Popular Culture, Travel, women

Mikala Mikrut: Red

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Photo: Tony Ward, Copyright 2019

Text by Mikala Mikrut, Copyright 2019

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Photography by Tony Ward, Copyright 2019

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RED

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You said you liked red.

So I started seeing it everywhere:

The fabric on my couches,

The scratches you made when my chest was bare.

You said you liked red.

I’ve always loved the drive behind passion,

The power behind anger,

And its symbolism in fashion.

You said you liked red.

And blood became alluring,

Cherries suddenly voluptuous,

All my feelings of black, you were curing.

You said you liked red.

I want to be red for you.

Red from acts of affection,

From what my cheeks can’t hide when I speak too.

You said you liked red.

And it had to find me like the melody of a song,

My fire, my crazy opinions, and my desires.

You knew I was red all along.

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About The Author: Mikala Mikrut is a sophomore enrolled at Southern Utah University. To access additional articles by Mikala Mikrut, click here:http://tonywardstudio.com/blog/mikala-mikrut-sense-of-place/

Also posted in Art, Blog, Documentary, Early Work, Erotica, Fashion, Models, Photography, Popular Culture, Portraiture, Travel, women

Racquel Ward: “Expo”

Artwork by Racquel Ward, Copyright 2019

“Expo” Artwork by Racquel Ward, Copyright 2019

Artwork and Text by Racquel Ward, Copyright 2019

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This series entitled “Expo ” represents the rapidly growing body positive movement, which in recent years has challenged mainstream representations of beauty. In the U.S. and other western countries, thin white bodies served as the cornerstone for standards of beauty that most women, including many white women, could not and do not live up to. It is now fashionable, especially on social media platforms, to embrace real curves, cellulite and the “authentic” self with hashtags such as #beautybeyondsize and #thickthighssavelives. 

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Artwork by Racquel Ward, Copyright 2019

“Expo”Artwork by Racquel Ward, Copyright 2019

In the same vein, these sketches do not serve as a symbol for women who achieve this look via plastic surgery – another branch of beauty where women want African features but have failed to make it look authentic.

The “Expo” series was sketched with pencil and colored with expo markers. The artist’s choice of materials shows that anyone can make art with anything just as anyone can be beautiful with exactly what they have.

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Artwork by Racquel Ward, Copyright 2019

“Expo” Artwork by Racquel Ward, Copyright 2019

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About The Author: Racquel Ward is a writer and educational therapist living in Los Angeles. She holds a BA in Culture and Media studies and a BFA in Contemporary Music from the New School University – Manhattan, New York. Racquel also holds a Master’s of Science in Teaching. She has been published on ThoughtCatalog and most recently finished her first children’s book. To access additional articles by Racquel Ward, click here: http://tonywardstudio.com/blog/racquel-ward-poor-me-home-alone-and-nuttin-to-do/

Also posted in Art, Blog, Erotica, Fashion, Models, Popular Culture, Portraiture, women

Bob Shell: Wherefore Blog?

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Photo: Bob Shell, Copyright 2019

 

Bob Shell: Letters From Prison #34

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Letters  by Bob Shell, Copyright 2019

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Wherefore Blog?

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A friend who looked at this blog summarized it as “look how smart I am!”

That came as something of a shock. Sure, I’m as vain as any other man, but I hadn’t thought I might be putting people off; showing off my brainpower, as it were. That really wasn’t my intention in making these posts, but I’ll admit that I’ve been writing only about things I think I know a lot about. Perhaps I should point out that there are a great many things that I know little or nothing about. I guess most people have a limited range of things that interest them. For example, organized sports. I know zilch about most of them. I don’t dislike most sports, I’m just totally indifferent to them. I do dislike boxing and other fight/blood sports. (I once sat next to Muhammad Ali on a flight from Las Vegas to NY, and the poor man was shaking so hard it shook the whole row of seats.) I’ve never watched a Superbowl in my life, and if I ever did it would be for the commercials. Our pod TV here is tuned to ESPN most of the time and I have no idea what those commentators are talking about, nor any interest in learning. When Shutterbug’s parent company started a magazine in the early 90s called Soccer, I learned just enough about the sport to write about photographing the action, and would have learned more if the magazine had lasted, but it didn’t. I think it was ahead of its time, since interest in soccer wasn’t well developed in the US.

Something else I know almost nothing about is identifying trees and wild plants. Oh, I know an evergreen from a deciduous, and can tell an oak from a maple, but which type of oak or maple, I haven’t a clue, and I know how to identify poison ivy from bad experience, but most wild plants are just green leafy things to me. Birds I know reasonably well, but can’t identify specific warblers or sparrows. It just never seemed that important to me. A committed birdwatcher would be horrified. When I was in school at Virginia Tech I made the mistake of signing up for a medieval European history class. Boring, boring, boring! We were supposed to memorize long genealogies of European ruling families. I learned then that it is absolutely impossible for me to memorize anything that I don’t find interesting. I dropped that class. To me it was like those long biblical begat lists. I just don’t care who begat who. I’m interested in ancient history, though. Much of history, therefore, is a blank to me. I only know some “Civil War” history because my ancestral grandfather, Hugh McCracken, fought in it as an infantryman, and survived, or I wouldn’t be here. I know trends and roughly what happened before and after such-and-such in the rest of history, and that’s good enough for me.

When I decided to devote my life to photography in the late 60s, I took the time to learn as much as I could about it. Photography, as it existed when I was a young man was a combination of physics and chemistry. So I learned the basic physics of cameras/lenses and the basic chemistry of film and darkroom processes. I knew people who bought the constituent chemicals and made their own developers and other darkroom chemicals from scratch, but it always seemed fine to me to just buy the premixed stuff made by Kodak, Ilford, Agfa, or whoever. When I wanted to experiment with tintypes, I bought the kit from Photographer’s Formulary. The only processes I ever did from scratch were gum bichromate and the Rawlins oil process, because I couldn’t find any ready made kits, and both are relatively easy processes, requiring only one uncommon chemical (Potassium dichromate), plus gum arabic from an art supply store or gelatin from a grocery store. Mostly I played with those old processes just to prove to myself that I could.

Today,photography is transitioning from a combination of physics and chemistry to a combination of physics and electronics. I’m keeping up as much as possible by reading about changes in technology.

Right now the trend seems to be to get rid of the reflex mirror in cameras. We just don’t need a flipping mirror anymore. Getting rid of the mirror eliminates the main source of vibration in the camera. That mirror at a 45 degree angle reflecting the image from the lens up onto a viewing screen was inherited from the camera obscura, which dates back to the renaissance and revolutionized perspective. But with electronic viewfinders linked directly to the image sensor, the mirror isn’t needed. Recently Canon, Nikon, Fuji, and perhaps others I haven’t heard of yet have introduced new mirrorless SLR cameras, and whole new ranges of lenses for them. Getting rid of the mirror and its associated mechanics allows designers more freedom in lens design, since they can then get the rear lens element much closer to the image sensor. We should see a range of new lenses that are faster and sharper, like Fuji’s new f/1 lens, and Canon’s 50mm f/1.2 and 35mm f/1.8 macro. Of course these new mirrorless cameras had to have new lens mounts, but in most cases you can use your existing lenses via an adapter, so you needn’t splurge on a whole new system at once.

But I’m wandering off topic, as I so often do. I’ve been told that I’m a natural teacher, and that’s one of the purposes I envisioned for this blog. I love to share what I’ve learned in my years in photography. After all, when you do something for fifty years you’re bound to learn a few tricks!

At times it is frustrating. Here I am, after devoting my life to photography, not able to even touch a camera. I haven’t had a camera in my hands for more than eleven years. The last time was in court on the last day of my trial, when I demonstrated for the jury how easy it was to accidentally change the times on images in the Canon EOS 10D camera. I think the whole demonstration sailed right over their heads. People who are completely computer illiterate should not sit on juries in cases that involve technical computer testimony!

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About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence for involuntary manslaughter for the death of Marion Franklin, one of his former models. Shell was recently moved from Pocahontas State Correctional Center, Pocahontas, Virginia to River North Correctional Center 329 Dellbrook Lane Independence, VA 24348.  Mr. Shell continues to claim his innocence. He is serving the 11th year of his sentence. To read more letters from prison by Bob Shell, click here: http://tonywardstudio.com/blog/bob-shell-fighting-monsters/

 

Also posted in Blog, Cameras, Documentary, Erotica, Film, Models, News, Nudes, Photography, Politics, Popular Culture, Portraiture, women

Diary: Theresa. A Visit to Alcatraz

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Theresa: A Visit to Alcatraz. 1980

 

 Photography and Text by Tony Ward, Copyright 2019

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Diary: Theresa. A Visit to Alcatraz. 1980

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I first laid eyes on Theresa as she excited a cable car on a side street next to the Fairmount Hotel where I was staying in San Francisco on assignment in 1980.  She walked directly towards me as I was standing on the sidewalk next to the hotel waiting for the concierge to have my car delivered from the garage on my way to a photo shoot.   I said hello and she said hello back with a flirtatious smile.  Low and behold she was an employee of the hotel as she motioned to open a side door I noticed for employees only . As she opened her purse to get her pass key,  I commented that I was a guest at the hotel and mentioned how satisfied I was with the accommodations.  She said she would pass the compliment on to management.  We exchanged phone numbers.  Later that day we met for drinks at Donatello, her favorite Italian restaurant just off of Union Square.

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Theresa at Donatello. Union Square. San Francisco, 1980.

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One thing quickly led to the next and so began a brief but romantic relationship. One of the highlights of our time together was a trip we took to Alcatraz Island where I captured this very beautiful moment with this Mexican beauty!

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To access additional diary entries, click here:http://tonywardstudio.com/blog/diary-a-fashion-shoot-at-the-jersey-shore/

 

 

Also posted in Art, Blog, Cameras, Documentary, Early Work, Light Table, Photography, Popular Culture, Portraiture, women