Category Archives: Cameras

Bob Shell: Art of Rope

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Tony_Ward_Studio_Bondage_Art_of_Rope_Bob_Shell_Howard_Lee

Bob Shell: Art of Rope

 

 

Bob Shell: Letters From Prison #16

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Letters by Bob Shell, Copyright 2018

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Just how did the book Erotic Bondage: Art of Rope come about? Basically, it was Marion’s idea. She’d been looking at my collection of books, including Tony’s Obsession, Petter Hegre’s My Wife, Ralph Gibson’s Deus Ex Machina, Lee Higgs’s Generation Fetish, and others (all confiscated by the cops, none returned, most of them signed copies given to me by the photographers) and decided she wanted The Marion Book. She was heavily into sexual bondage, said she had the most intense orgasms when restrained. She’d shown me a bunch of Polaroid snaps of her bound taken by an old boyfriend. The photography and rigging were amateurish, but she still shined. She also described the bondage sessions she’d done with a recent boyfriend, and complained that he tied the ropes too tight. So I began shooting some bondage sessions with her, something new to me. Oh, I’d played around with handcuffs and such with a few models, but nothing hardcore. I then built a suspension frame, incorporating suggestions from her dad, and built a couple of sets. It was then that I discovered rainbowrope.com, where I found nice soft 1/4 inch Nylon rope in all sorts of colors. I bought a bunch of rope from them as well as some props like an old style dental clamp that Marion fell in love with. We commenced shooting for the book each week after my other obligations were out of the way. After we had some pictures we really liked. I went looking for a publisher. I didn’t think an American publisher would be interested. so I went looking in Germany, where several of my books had been published. My main German publisher was a wing of the Vatican, so I didn’t take this project to them! After several dead ends, I found a publisher, and we began to rough the book out – and then that publisher went bust. I was discouraged, but this had happened before, and so I started over. If I had all the money publishers have gone broke owing me, I might have been as wealthy as the prosecutor thought!

I talked to Lee Higgs and he put me in touch with his publisher in Germany, Goliath. They loved the project and over the course of a year or so we put the book together. In fact they liked it so much that they decided to make it the first of a series under a new imprint, MixOfPix. In the middle of this process Marion died. I was very conflicted about going on with the project, but Marion’s best friend Samantha had seen the photos (and was in some) and said Marion would have wanted me to finish the project, and her other friends I talked to felt the same, I felt they were right, so I hired other models to do the shoots we’d planned and sketched, and finished the book. That I published under my Edward Lee pseudonym had nothing to do with Marion’s death, but had been the plan from the beginning. I had some very straight-laced clients at the time and wanted to keep things separate.

The prosecutor implied that I’d made a lot of money from the book. As photographers who have done picture books will tell you, you do not get rich from this type of book. I did not do a detailed accounting, but by the time I figured in model’s fees, cost of set building, and all the other expenses of doing the shoots for the book, I might just have broken even. I did have some quiet support from photo industry companies, and a cheering section from my dear old friend Monte Zucker, who gleefully showed me the gay bondage he was shooting and critiqued the images for me. But, no matter what the prosecutor implied, I was not rolling in money from this project. The book is out of print now, and my royalties ended long ago, but I’m told it is available from Amazon.

Marion also wanted a website along with the book. She’d been inspired by boundndetermined.com, the website owned by my friend Maria Shadoes, and wanted to call hers bound2bwild.com. I’d registered the name and Maria and I were working on the design. Maria made a good living from the websites she owned and webmastered and was to be our webmaster. All those plans came to naught, though. Marion’s website never went live. So many plans and dreams died with her.

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About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence at Pocahontas State Correctional Center, Pocahontas, Virginia for involuntary manslaughter for the death of Marion Franklin, one of his former models. Mr. Shell is serving the 11th year of his sentence. To read more letters from prison by Bob Shell, click herehttp://tonywardstudio.com/blog/bob-shell-letters-from-prison-15/

 

Also posted in Art, Blog, Books, Documentary, Erotica, Popular Culture, Portraiture, women

Cover Shoot: July 2018

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TW COVER JULY 2018_covershoot

TWS Cover Shoot: July 2018

 

Photography by Tony Ward, Copyright 2018

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To see additional pictures from the Catherine Trifiletti Lookbook Summer 2018, click herehttp://tonyward.com/portfolio/catherine-trifiletti-2018-lookbook/

 

Also posted in Art, Documentary, Erotica, Fetish, Glamour, Models, News, Photography, Popular Culture, women

Catherine Trifiletti: Lookbook Summer 2018

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Tony_Ward_fashion_work_Las_Vegas_designer_Catherine_Trifiletti

Catherine Trifiletti: Lookbook Summer 2018

 

 

To access the Catherine Trifiletti Lookbook for Summer 2018, click herehttp://tonywardstudio.com/gallery/catherine-trifiletti-design/

 

Also posted in Art, Blog, Documentary, Erotica, Fashion, Fetish, Glamour, Models, News, Popular Culture, women

A.H. Scott: TWS!

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Illustration by Alexandra Rouvet Duvernoy, Copyright 2018

 

 

Poetry by A. H. Scott, Copyright 2018

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TWS!

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 Colors

Composition

Form

Shadows

Silhouettes

It’s all here at TWS!

Contemporary and classic

Conformity brushed aside

Aroused and astonished

Seduced by a sly wink

Fabrics of coolness and delight

Hues of intensity and intention

Crafted items of dimension

Open your eyes and let your senses soar

Get a glimpse at his list of affiliates to learn and explore

Visionaries of style from days gone back

Newbies are even rubbing shoulders with this well established pack

With a roll call like this, there’s no way in the world any visitor to TWS could ever be bored

Tony Ward is an artisan of the lens that always taps the right cord

Shutter sounds and the quickening of creativity’s heart pounds

East coast, West coast, Europe and beyond, impact of this man’s camera has made all the rounds

Proclaim it proud!

Proclaim it loud!

This is Tony Ward Studio!

Bulls-eye perfected!

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About The Author: A.H. Scott is a poet based in New York City and frequent contributor to Tony Ward Studio. To read additional articles by A. H. Scott, go herehttp://tonywardstudio.com/blog/a-h-scott-whos-trippin/

 

Also posted in Art, Blog, Erotica, News, Photography, Popular Culture, women

Bob Shell: Letters From Prison #13

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Portrait of Karen Boyle by Bob Shell, Copyright 2018

Portrait of Karen Boyle by Bob Shell, Copyright 2018

 

Letters From Prison: Part 13, 2018

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Letters by Bob Shell, Copyright 2018

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As promised, the story of PIC magazine. PIC, was short for People In Camera, and was started in the early 80s by Chris Knight as a sort of hobby. Captain Christopher Knight, to give him his proper title was an almost stereotypical rich English eccentric. He lived in a castle in Kent (Cooling Castle), had a full-time staff of falconers to care for his hawks, eagles, owls, and falcons, all of which spent most of their time on wooden perches in the castle courtyard. Chris was the scion of a family that owned fleets of container ships, which he and his brother had inherited. He was also a pretty darned good photographer, specializing in photos of pretty women. There was an old barn on the castle grounds that he’d had wired up and turned into an exceptionally well outfitted studio. He brought professional models from London for his own shoots and worked with a group of photographers who conducted workshops there and on the castle grounds. The photo of Karen Boyle, that year’s Miss Jamaica, that graced the splash page of my old bobshell.com website (and may still be up) was taken in one of the castle’s ruined towers in the summer of 1993. Anyway, I’d somehow met Chris, I don’t remember where, and was the invited up to the castle for a photo shoot and chat. Chris wanted to talk to me because PIC had been in the red for years, and as he said, was eating up all his “pocket money.”. We talked, he hired me as a consultant, and had the magazine’s books sent over to me. The problem was obvious when I looked over the books. He was grossly overstaffed, and was paying people high salaries for doing very little. I advised him to make some serious staff cuts, which made me very unpopular with those who got the axe, but in a short while the magazine was showing a small profit. Chris didn’t care if it made a lot of money, he just didn’t want it to keep on losing money.

One day I was in my office at home (I always worked from home) and got a call from a solicitor (British for lawyer) in London. It seemed that Chris had had a heart attack, and after hanging on for a week in hospital had died. But you could have knocked me over with a feather when he told me that Chris had rewritten his will during that week and had left PIC to me for a very nominal sum if I wanted it. Wow, biggest surprise of my life! I decided to give it a go even though running a magazine by “remote control” from the USA presented some major challenges. For most of 1994 I was essentially commuting between Radford and London. PIC originally had it’s offices in the grimy old English city of Rochester. I didn’t want to go up there, so I moved everything down to Hove on the south coast, and borrowed a large office from Hove Foto Books, my English book publisher, for a few months until we found a London office near Kings Cross, London. I realized at some point that trying to run a magazine in the UK while holding together my American commitments was just about impossible. Plus, we had a serious cash flow problem. On paper we were looking good, but many advertisers simply weren’t paying their bills. Not just little guys either, but some major companies were holding onto our invoices for six months or more. Meanwhile we had printing, postage, salaries, etc., that had to be paid right then. Then, real disaster struck! Over the long Christmas holiday a water pipe on the top floor burst, flooding our office and ruining things. The bottom line was that I could not go on pouring thousands of pounds of my own money in every month. Unlike Chris my resources had rather tight limits. So I had to make the very painful decision at the end of 1994 to shut the magazine down.

It was great while it lasted and I was very proud of the “book” (as magazines are called inside the business). We won an international design award for one cover, by the amazing Japanese photographer Hiroshi Nonami. The president of Olympus in the UK wrote to me to say that my cover portrait of model Nicolle Gray was the finest portrait he had ever seen. I was gratified by such positive feedback. I still own rights to the PIC name and logo and hoped to one day relaunch it. If I ever do it will most likely be as a webzine.

Having to close that magazine was like losing a child.

I did meet some very interesting people during that time period. Anyone from the UK reading this and old enough will probably recognize the name Keith Johnson, founder of Keith Johnson Photographic, later just called KJP, which was the largest chain of photo shops in the. UK. By 1994 he had sold the company and moved to his vineyards and winery in Sussex, where he was producing a very nice wine called Sussex Gold. He invited me, Michael Barrington-Martin and Bob Dove, two of the PIC writers there for a day. Keith had opened a restaurant there and had a nice big meeting room. We discussed having some photo workshops there, but that never came to pass. I had taught some workshops in London by then as well as in Germany, and was looking to expand, but things just didn’t work as well over there. The logistics were horrific and ate up any profit. Eventually, I settled down to the USA and Caribbean, where the logistical problems were fewer. My outdoor workshops were held here in Virginia on forest land I owned, in Florida on St. Pete Beach and Clearwater, and in Nevada at the Valley of Fire State Park. In the Caribbean I used beaches and private estates on St. Thomas, USVI. I had people from Europe and Japan come to these, which was easier than taking my show to them. I also conducted many studio workshops in my Radford studio, which had been specifically set up for teaching. It was big enough (35 x 80 feet) to have multiple sets active at the same time. Of course, I lost my studio when I was convicted, along with practically everything else…..

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About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence at Pocahontas State Correctional Center, Pocahontas, Virginia for involuntary manslaughter for the death of Marion Franklin, one of his former models. Mr. Shell is serving the 11th year of his sentence. To read more letters from prison by Bob Shell, click herehttp://tonywarderotica.com/bob-shell-letters-from-prison-12/

 

 

Also posted in Art, Blog, Glamour, Models, News, Photography, Politics, Popular Culture, Portraiture, women